Sister Rosetta Tharpe with the Chicago Blues All-Stars (Big Walter Horton [harmonica], Willie Dixon [bass], et al.), “That’s All,” “Didn’t It Rain,” live, 1960s, Germany
What a treat to hear Walter, with whom I worked back in the ’70s while at Alligator Records, playing with Sister Rosetta.
riveting
Anton Bruckner (1824-96), Symphony No. 5 in B flat major; Berlin Philharmonic (Wilhelm Furtwangler, cond.), live, Berlin, 1942
(Yeah, I realize this performance took place in Nazi Germany during World War II and, no, I don’t have anything profound, or even interesting, to say about how such beauty and such horror could coexist.)
old stuff
Count Basie Orchestra (feat. Jimmy Rushing [vocals] & Herschel Evans [tenor saxophone]), “When My Dreamboat Comes Home,” live (radio broadcast), New York (Savoy Ballroom, Harlem), 1937
The other day, driving to Rockford for a hearing in a murder case, listening to this for the first time, I couldn’t quit hitting the repeat button: “and once again the fields of gloom are adroitly plowed under.”
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lagniappe
musical thoughts
What music from today will folks be listening to in 2087?
flashback
MC5: Kick Out the Jams (Leni Sinclair & Cary Loren, 1999 [with footage from the ’60s])
Rarely has dying sounded so joyous.
Glen David Andrews, “I’ll Fly Away”
Live, New Orleans (Zion Hill Baptist Church), 2008
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lagniappe
reading table
[P]eople exist for us only in the idea that we have of them.
—Marcel Proust, The Fugitive (translated from French by Peter Collier)
*****
Each year on this auspicious day, alone and foreign
here in a foreign place, my thoughts of you sharpen;far away, I can almost see you reaching the summit,
dogwood berries woven into sashes, short one person.—Wang Wei (701-61), “9/9, Thinking of My Brothers East of the Mountains” (trans. from Chinese by David Hinton)
Sometimes more is more.
Anton Bruckner (1824-96), Symphony No. 8 in C minor; Vienna Philharmonic (Herbert von Karajan, cond.), live, Austria (Abbey of St. Florian), 1979
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lagniappe
musical thoughts
Once upon a time, before the human attention span began to shrink, people could actually sit still and pay attention to something—a single thing—for over an hour.
You don’t need to be asleep to be lost in a dream.
Maurice Ravel, Piano Concerto in G Major (1929-31); Martha Argerich, piano; Orchestre National de France (Charles Dutoit, cond.); live, Germany (Frankfurt), 1990
only rock ’n’ roll
Wilco, live, Barcelona (Primavera Sound Festival), 5/31/12
#1
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#2
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#6
playing this weekend at the Chicago Jazz Festival
Matt Wilson’s Arts & Crafts* (Sunday, 3:30 p.m.)
“We See” (T. Monk), live, New York, 2011
(Paul Motian, this guy—drummers seem to have a particular feeling for Monk.)
*****
Steve Coleman and Five Elements** (Sunday, 7:10 p.m.)
Live, New York, 2010
*****
Ken Vandermark’s Made To Break Quartet*** (Sunday, 2:20 p.m.)
Live, Barcelona, 2011
*****
*MW, drums; Terell Stafford, trumpet; Gary Versace, piano; Martin Wind, bass.
**SC, alto saxophone; Jonathan Finlayson, trumpet; Tim Albright, trombone; Miles Okazaki, guitar; David Virelles, piano; Thomas Morgan, bass; Marcus Gilmore, drums.
***KV, reeds; Christof Kurzmann, electronics; Devin Hoff, bass; Tim Daisy, drums.
timeless
Sly and the Family Stone
“Thank You (Falettinme Be Mice Elf Again),” TV Show (Soul Train), 1974
*****
“In Time,” Fresh, 1973
Jazz legend Miles Davis was so impressed by the song “In Time” . . . that he made his band listen to the track repeatedly for a full 30 minutes. Composer and music theorist Brian Eno cited Fresh as having heralded a shift in the history of recording, “where the rhythm instruments, particularly the bass drum and bass, suddenly [became] the important instruments in the mix.”
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lagniappe
art beat: more from Tuesday’s stop at the Art Institute of Chicago
Roy Lichtenstein, Landscape in Fog (1996)
music clip of the day 