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Category: bass

Tuesday, 11/13/12

passings

Ted Curson, trumpeter, composer, June 3, 1935-November 4, 2012

“L.S.D. Takes a Holiday” (T. Curson), live, Paris, 1973

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With Charles Mingus, “Better Git Hit In Your Soul,” Mingus at Antibes (recorded live 1960)*

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“Tears for Dolphy” (T. Curson), 1964

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*CM (bass, piano), Ted Curson (trumpet), Eric Dolphy (alto saxophone), Booker Ervin (tenor saxophone), Dannie Richmond (drums).

Friday, 11/9/12

only rock ’n’ roll

The Dirtbombs, live, Hamtramck, Mich. (outside Detroit), 2012

#1

#2

Wednesday, 11/7/12

post-election special

Weary of words?

John Luther Adams, The Light That Fills the World (chamber version, revised 2001), excerpt

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lagniappe

art beat: Saturday at the Art Institute of Chicago

Paul Strand, The Court, New York (1924)
Film and Photo in New York (through 11/25/12)

Monday, 11/5/12

The body knows things the mind will never understand.

D’Angelo (with Jesse Johnson, guitar; Pino Palladino, bass; Chris “Daddy” Dave, drums, et al.), “Chicken Grease,” live, Switzerland (Zurich), 2012

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lagniappe

art beat: Saturday at the Art Institute of Chicago

Morris Engel, Harlem Merchant (1936)
Film and Photo in New York (through 11/25/12)

Saturday, 11/3/12

It must have been a comfort, when she was dying, to be able to say to her son, whose trumpet she’d heard since he was a little boy, these are the songs I want you to play at my memorial service.

Dave Douglas  Quintet* with guest Aoife O’Donovan (vocal), “Be Still My Soul” (words by Ka­tha­ri­na A. von Schle­gel, adapted by Aoife O’Donovan, music by Jean Si­bel­ius, arranged by Dave Douglas), recording session (Be Still, 2012)

*DD, trumpet; Jon Irabagon, saxophone; Matt Mitchell, piano; Linda Oh, bass; Rudy Royston, drums.

Monday, 10/29/12

Miles

Miles Davis Group,* live, Germany (Berlin), 1971

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lagniappe

art beat: Friday at the Art Institute of Chicago (after a hearing at the nearby federal court building)

Allen Ruppersberg, No Time Left To Start Again/The B and D of R’n’R (through 1/6/13)**

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*With Gary Bartz, saxophones; Keith Jarrett, keyboards; Michael Henderson, bass; Leon Chancler, drums; Don Alias & James Mtume, percussion.

**“B and D”=birth and death.

Wednesday, 10/24/12

The last band I heard with this lineup—trumpet, violin, accordion, bass—was, uh, let’s see . . .

Dave Douglas (trumpet), Charms of the Night Sky*
Live, Germany (Frankfurt), 1999

#1

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#2

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#4 

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lagniappe

musical thoughts

I am moved by more music now than I have ever been. Trying to see it from a wider and deeper perspective only makes it clear that the lake itself is wider and deeper than we thought.

—David Byrne, How Music Works (2012)

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*With Mark Feldman (violin), Guy Klucevsek (accordion), Greg Cohen (bass).

Monday, 10/22/12

old stuff

The great thing about the 21st century is that it’s so easy to leave.

Count Basie Orchestra (Don Byas, tenor saxophone; Harry “Sweets” Edison and Buck Clayton, trumpets; Freddie Green, guitar; Jo Jones, drums, et al.), “Dance of the Gremlins,” “Swingin’ the Blues,” 1941

Saturday, 10/20/12

passings

David S. Ware, saxophonist, composer, bandleader
November 7, 1949-October 18, 2012

“Mikuro’s Blues,” live, Europe, 200?*

*****

Live, Lithuania (Vilnius), 2007*

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lagniappe

reading table

“Variations On A Text By Vallejo”
By Donald Justice (1925-2004)

Me moriré en Paris con aguacero …

I will die in Miami in the sun,
On a day when the sun is very bright,
A day like the days I remember, a day like other days,
A day that nobody knows or remembers yet,
And the sun will be bright then on the dark glasses of strangers
And in the eyes of a few friends from my childhood
And of the surviving cousins by the graveside,
While the diggers, standing apart, in the still shade of the palms,
Rest on their shovels, and smoke,
Speaking in Spanish softly, out of respect.

I think it will be on a Sunday like today,
Except that the sun will be out, the rain will have stopped,
And the wind that today made all the little shrubs kneel down;
And I think it will be a Sunday because today,
When I took out this paper and began to write,
Never before had anything looked so blank,
My life, these words, the paper, the gray Sunday;
And my dog, quivering under a table because of the storm,
Looked up at me, not understanding,
And my son read on without speaking, and my wife slept.

Donald Justice is dead. One Sunday the sun came out,
It shone on the bay, it shone on the white buildings,
The cars moved down the street slowly as always, so many,
Some with their headlights on in spite of the sun,
And after awhile the diggers with their shovels
Walked back to the graveside through the sunlight,
And one of them put his blade into the earth
To lift a few clods of dirt, the black marl of Miami,
And scattered the dirt, and spat,
Turning away abruptly, out of respect.

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*With Matthew Shipp (piano), William Parker (bass), Guillermo Brown (drums).

Friday, 10/19/12

only rock ’n’ roll

The Ex & Brass Unbound,* live, Dublin, 2010

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lagniappe

last night

He read at the Art Institute of Chicago, where I sat rapt and happy.

Seamus Heaney, “Postscript,” Dublin, 2011

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*Mats Gustafsson (baritone saxophone), Ken Vandermark (tenor saxophone), Wolter Wierbos (trombone), Roy Paci (trumpet).