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Category: bass

Monday, 11/19/12

Albert Collins (1932-1993), “Lights Are On But Nobody’s Home,” live, Austin, Tx., 1988

How strange to think that Albert, a sweet, warm, gentle guy I had the good fortune to work with in the ’70s while at Alligator Records, has been gone nearly 20 years.

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lagniappe

musical thoughts

There’s one cat I’m still trying to get across to people. He is really good, one of the best guitarists in the world.

Jimi Hendrix (1968)

Friday, 11/16/12

only rock ’n’ roll

Metz, “Wasted”

Recording (Metz, Sub Pop), 10/12

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Live, Canada (Sackville), 8/3/12

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lagniappe

musical thoughts

Rock ’n’ roll.

R&B.

Jazz.

Whatever their differences, they’ve got something in common.

Nobody’s more important than the drummer. 

If the drums aren’t happening, nothing is.

*****

reading table: passings

“The Forgotten Dialect of the Heart”

How astonishing it is that language can almost mean,
and frightening that it does not quite. Love, we say,
God, we say, Rome and Michiko, we write, and the words
get it all wrong. We say bread and it means according
to which nation. French has no word for home,
and we have no word for strict pleasure. A people
in northern India is dying out because their ancient
tongue has no words for endearment. I dream of lost
vocabularies that might express some of what
we no longer can. Maybe the Etruscan texts would
finally explain why the couples on their tombs
are smiling. And maybe not. When the thousands
of mysterious Sumerian tablets were translated,
they seemed to be business records. But what if they
are poems or psalms? My joy is the same as twelve
Ethiopian goats standing silent in the morning light.
O Lord, thou art slabs of salt and ingots of copper,
as grand as ripe barley lithe under the wind’s labor.
Her breasts are six white oxen loaded with bolts
of long-fibered Egyptian cotton. My love is a hundred
pitchers of honey. Shiploads of thuya are what
my body wants to say to your body. Giraffes are this
desire in the dark. Perhaps the spiral Minoan script
is not language but a map. What we feel most has
no name but amber, archers, cinnamon, horses, and birds.

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“By Small and Small: Midnight to Four A.M.”

For eleven years I have regretted it,
regretted that I did not do what
I wanted to do as I sat there those
four hours watching her die. I wanted
to crawl in among the machinery
and hold her in my arms, knowing
the elementary, leftover bit of her
mind would dimly recognize it was me
carrying her to where she was going.

—Jack Gilbert, February 18, 1925-November 11, 2012

Tuesday, 11/13/12

passings

Ted Curson, trumpeter, composer, June 3, 1935-November 4, 2012

“L.S.D. Takes a Holiday” (T. Curson), live, Paris, 1973

******

With Charles Mingus, “Better Git Hit In Your Soul,” Mingus at Antibes (recorded live 1960)*

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“Tears for Dolphy” (T. Curson), 1964

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*CM (bass, piano), Ted Curson (trumpet), Eric Dolphy (alto saxophone), Booker Ervin (tenor saxophone), Dannie Richmond (drums).

Friday, 11/9/12

only rock ’n’ roll

The Dirtbombs, live, Hamtramck, Mich. (outside Detroit), 2012

#1

#2

Wednesday, 11/7/12

post-election special

Weary of words?

John Luther Adams, The Light That Fills the World (chamber version, revised 2001), excerpt

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lagniappe

art beat: Saturday at the Art Institute of Chicago

Paul Strand, The Court, New York (1924)
Film and Photo in New York (through 11/25/12)

Monday, 11/5/12

The body knows things the mind will never understand.

D’Angelo (with Jesse Johnson, guitar; Pino Palladino, bass; Chris “Daddy” Dave, drums, et al.), “Chicken Grease,” live, Switzerland (Zurich), 2012

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lagniappe

art beat: Saturday at the Art Institute of Chicago

Morris Engel, Harlem Merchant (1936)
Film and Photo in New York (through 11/25/12)

Saturday, 11/3/12

It must have been a comfort, when she was dying, to be able to say to her son, whose trumpet she’d heard since he was a little boy, these are the songs I want you to play at my memorial service.

Dave Douglas  Quintet* with guest Aoife O’Donovan (vocal), “Be Still My Soul” (words by Ka­tha­ri­na A. von Schle­gel, adapted by Aoife O’Donovan, music by Jean Si­bel­ius, arranged by Dave Douglas), recording session (Be Still, 2012)

*DD, trumpet; Jon Irabagon, saxophone; Matt Mitchell, piano; Linda Oh, bass; Rudy Royston, drums.

Monday, 10/29/12

Miles

Miles Davis Group,* live, Germany (Berlin), 1971

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lagniappe

art beat: Friday at the Art Institute of Chicago (after a hearing at the nearby federal court building)

Allen Ruppersberg, No Time Left To Start Again/The B and D of R’n’R (through 1/6/13)**

*****

*With Gary Bartz, saxophones; Keith Jarrett, keyboards; Michael Henderson, bass; Leon Chancler, drums; Don Alias & James Mtume, percussion.

**“B and D”=birth and death.

Wednesday, 10/24/12

The last band I heard with this lineup—trumpet, violin, accordion, bass—was, uh, let’s see . . .

Dave Douglas (trumpet), Charms of the Night Sky*
Live, Germany (Frankfurt), 1999

#1

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#2

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#3

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#4 

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lagniappe

musical thoughts

I am moved by more music now than I have ever been. Trying to see it from a wider and deeper perspective only makes it clear that the lake itself is wider and deeper than we thought.

—David Byrne, How Music Works (2012)

*****

*With Mark Feldman (violin), Guy Klucevsek (accordion), Greg Cohen (bass).

Monday, 10/22/12

old stuff

The great thing about the 21st century is that it’s so easy to leave.

Count Basie Orchestra (Don Byas, tenor saxophone; Harry “Sweets” Edison and Buck Clayton, trumpets; Freddie Green, guitar; Jo Jones, drums, et al.), “Dance of the Gremlins,” “Swingin’ the Blues,” 1941