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Category: bass

Tuesday, January 20th

Need a jolt?

Brandon Lopez (bass), Tyshawn Sorey (drums), Chris Pitsiokos (alto saxophone), live, New York, 11/10/14

Talk about range. The piece we heard Saturday—the one with flute, violin, bass clarinet, and piano? It was composed by the drummer.

Wednesday, January 14th

sounds of Chicago (day two)

Sometimes encountering a new piece of music can turn your whole day around, which is what happened to me the other day when I bumped into this.

Georg Friedrich Haas (1953-), In Vain (2000)
Ensemble Dal Niente, live, Chicago, 2013

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lagniappe

art beat: yesterday at the Art Institute of Chicago

Claude Monet (1840-1926), Cliff Walk at Pourville (1882)

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Pierre-Auguste Renoir (1841-1919), Seascape (1879)

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random thoughts

Eyes taste paintings no less than mouths taste food.

Tuesday, January 13th

sounds of Chicago (day one)

Art Ensemble of Chicago (Roscoe Mitchell, reeds; MCOTD Hall-of-Famer Lester Bowie [1941-1999], trumpet; Malachi Favors [1927-2004], bass; Don Moye, drums), live, Hungary (Budapest), 1995

 

Thursday, January 8th

voices I miss

Lester Bowie’s From the Root to the Source (MCOTD Hall-of-Famer Lester Bowie [1941-1999], trumpet; Fontella Bass, vocals, piano; Martha Bass, vocals; Malachi Favors, bass, et al.), live, 1983


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lagniappe

reading table

I walked through the mountains today. The weather was damp, and the entire region was grey. But the road was soft and in places very clean. At first I had my coat on; soon, however, I pulled it off, folded it together, and laid it upon my arm. The walk on the wonderful road gave me more and even more pleasure; first it went up and then descended again. The mountainous world appeared to me like an enormous theatre. The road snuggled up splendidly to the mountainsides. Then I came down into a deep ravine, a river roared at my feet, a train rushed past me with magnificent white smoke. The road went through the ravine like a smooth white stream, and as I walked on, to me it was as if the narrow valley were bending and winding around itself. Grey clouds lay on the mountains as though that were their resting place. I met a young traveller with a rucksack on his back, who asked if I had seen two other young fellows. No, I said. Had I come here from very far? Yes, I said, and went farther on my way. Not a long time, and I saw and heard the two young wanderers pass by with music. A village was especially beautiful with humble dwellings set thickly under the white cliffs. I encountered a few carts, otherwise nothing, and I had seen some children on the highway. We don’t need to see anything out of the ordinary. We already see so much.

—Robert Walser (1878-1956), “A Little Ramble” (translated from German by Tom Whalen)

Friday, January 2nd

two takes

“I Don’t Claim To Be An Angel”

Laura Cantrell, live (studio performance), New York, 2011


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Kitty Wells (1919-2012), live (TV show), c. 1953

Thursday, January 1st

What better way to start the year than with the music of Sly Stone?

Steven Bernstein’s Millennial Territory Orchestra (Steven Bernstein, trumpet; John Medeski, organ, et al.), live, Paris, 2011

“Stand” (feat. Sandra St. Victor, vocals)

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“Everyday People” (feat. Eric Mingus, vocals)

*****

Still, after four decades, this album remains on my desert-island list.

Sly and the Family Stone, Fresh, 1973

1. In Time (0:00)
2. If You Want Me To Stay (5:48)
3. Let Me Have It All (8:48)
4. Frisky (11:43)
5. Thankful ‘N’ Thoughtful (14:54)
6. Skin I’m In (19:36)
7. I Don’t Know (Satisfaction) (22:29)
8. Keep On Dancin’ (26:23)
9. Que Sera, Sera (Whatever Will Be, Will Be) (28:45)
10. If It Were Left Up To Me (34:07)
11. Babies Makin’ Babies (36:07)

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lagniappe

random thoughts: New Year’s resolution #5

Each day: begin, again.

Friday, December 19th

what’s new

D’Angelo and the Vanguard (Pino Palladino, bass; Ahmir “Questlove” Thompson, drums, et al.), “Ain’t That Easy” (Black Messiah), 12/15/14


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Here’s another take.

Live, Paris, 2012


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lagniappe

art beat

Bruce Davidson (1933-), New York (Subway), 1980

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Saturday, December 6th

two takes

Need a lift?

Charles Ives (1874-1954), Ragtime Dance No. 4 (1904)

Alarm Will Sound, live, New York, 2013


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Orchestra New England, recording, 1990


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lagniappe

musical thoughts

As I remember some of the dances as a boy, and also from father’s description of some of the old dancing and fiddle playing, there was more variety of tempo than in the present-day dances. In some parts of the hall a group would be dancing in polka, while in another, a waltz. Some of the players in the band would, in an impromptu way, pick up with the polka, and some with the waltz, and some with a march. Often the piccolo or cornet would throw in asides. Sometimes a change in tempo, or a mixed rhythm would be caused by a fiddler who, after playing three or four hours steadily, was getting a little sleepy. Or maybe another player was seated too near the hard cider barrel. Whatever the reason for these changes and simultaneous playing of things, I remember distinctly catching a kind of music that was natural and interesting and which was decidedly missed when everybody came down ‘blimp’ on the same beat again.

—Charles Ives

Friday, December 5th

only rock ‘n’ roll

Ajax, live, Boston, 2014

Wednesday, December 3rd

sounds of New York (day two)

Here, as in the city itself, density and spaciousness coexist.

Tim Berne’s Cornered,* “Embraceable Me,” live, New York, 10/12/14

*TB, alto saxophone; Oscar Noriega, clarinets; Ryan Ferreira, guitar; Matt Mitchell, piano; Michael Formanek, bass; Ches Smith, drums, vibraphone.