Wolfgang Amadeus Mozart (1756-1791), Piano Sonata No. 12 in F major (:07-), Fantasia in C minor (22:42-), Sonata No. 14 in C minor (39:54-); Friedrich Gulda (1930-2000), live, Germany (Munich), 1990
Wolfgang Amadeus Mozart, Clarinet Quintet in A major; Hagen Quartet with Sabine Meyer (clarinet), live
1st movt.
***
2nd movt.
***
3rd movt.
***
4th movt.
**********
lagniappe
musical thoughts
Mozart was a kind of idol to me—this rapturous singing . . . that’s always on the edge of sadness and melancholy and disappointment and heartbreak, but always ready for an outburst of the most delicious music.
Wolfgang Amadeus Mozart (1756-1791), Piano Concerto No. 26 in D major (“Coronation”); Munich Philharmonic Orchestra with Friedrich Gulda (conducting, piano), live, 1986
**********
lagniappe
reading table
How I wish I’d been a painter . . . that must really be the best profession—none of this fiddling around with words—there are a couple of Daumiers at the Phillips that make me feel my whole life has been wasted.
Wolfgang Amadeus Mozart (1756-1791), Piano Sonata No. 8 in A minor
Sviatoslav Richter (1915-1997), live
#1
#2
***
Artur Schnabel (1882-1951), 1939
#1
#2
#3
***
Dinu Lipatti (1917-1950), live, France (Besancon), 1950
***
The A minor sonata is the first of only two Mozart piano sonatas in a minor key . . . It was written in one of the most tragic times of his life: his mother had just died.
I love his approach to Mozart. He’s never fussy or mannered. He plays simply, directly—like a bird flying from tree to tree.
Wolfgang Amadeus Mozart (1756-1791), Piano Sonata No. 12 in F major (:07-), Fantasia in C minor (22:42-), Sonata No. 14 in C minor (39:54-); Friedrich Gulda (1930-2000), live, Germany (Munich), 1990
**********
lagniappe
musical thoughts
Mozart was a kind of idol to me—this rapturous singing . . . that’s always on the edge of sadness and melancholy and disappointment and heartbreak, but always ready for an outburst of the most delicious music.
If, instead of the words ‘good’ or ‘right’ (or ‘sacred’) we use the words ‘beautiful’ or ‘pleasurable’ or ‘enlivening,’ . . . how would our lives be different?
—Adam Phillips, Unforbidden Pleasures (quoted in yesterday’s New York Times Book Review)