Johann Sebastian Bach (1685-1750), Chaconne from Partita No. 2 in D Minor, Jascha Heifetz (1901-1987), violin
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lagniappe
radio
One of the year’s truly great musical events begins Friday at 1 a.m. (EST)—the annual Bach Festival on WKCR-FM (Columbia University). All Bach, all the time, until midnight New Year’s Eve. If, after the last few months, you just can’t take any more clarity and light, you might want to skip it.
Bobby Hutcherson, vibraphonist, January 27, 1941-August 15, 2016
“Herzog” (R. Hutcherson), live, France (Antibes), 1969*
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lagniappe
musical thoughts
Speaking in recent years, Mr. Hutcherson was fond of citing a bit of insight from an old friend. “Eric Dolphy said music is like the wind,” he told The San Francisco Chronicle in 2012. “You don’t know where it came from, and you don’t know where it went. You can’t control it. All you can do is get inside the sphere of it and be swept away.”
1. Dreamland
2. Monk’s Mood (Version 1)
3. Thelonious
4. Reflections
5. Epistrophy
6. Round Midnight
7. Crepuscule With Nellie
8. Ugly Beauty
9. Monk’s Mood (Version 2)
10. Don’t Blame Me
11. Coming On The Hudson
12. Nice Work If You Can Get It
Billie Holiday, singer, April 7, 1915-July 17, 1959
“All of Me” (G. Marks, S. Simons),* New York, March 21, 1941
Yesterday, I listened to this. Then I listened again. And again.
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lagniappe
radio
WKCR-FM (Columbia University): all Billie, all day.
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reading table
The Day Lady Died
By Frank O’Hara (1926-1966)
It is 12:20 in New York a Friday
three days after Bastille day, yes
it is 1959 and I go get a shoeshine
because I will get off the 4:19 in Easthampton
at 7:15 and then go straight to dinner
and I don’t know the people who will feed me
I walk up the muggy street beginning to sun
and have a hamburger and a malted and buy
an ugly NEW WORLD WRITING to see what the poets
in Ghana are doing these days
I go on to the bank
and Miss Stillwagon (first name Linda I once heard)
doesn’t even look up my balance for once in her life
and in the GOLDEN GRIFFIN I get a little Verlaine
for Patsy with drawings by Bonnard although I do
think of Hesiod, trans. Richmond Lattimore or
Brendan Behan’s new play or Le Balcon or Les Nègres
of Genet, but I don’t, I stick with Verlaine
after practically going to sleep with quandariness
and for Mike I just stroll into the PARK LANE
Liquor Store and ask for a bottle of Strega and
then I go back where I came from to 6th Avenue
and the tobacconist in the Ziegfeld Theatre and
casually ask for a carton of Gauloises and a carton
of Picayunes, and a NEW YORK POST with her face on it
and I am sweating a lot by now and thinking of
leaning on the john door in the 5 SPOT
while she whispered a song along the keyboard
to Mal Waldron and everyone and I stopped breathing
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*With Lester Young (tenor saxophone), Kenny Clarke (drums), et al.
Henry Theadgill’s Zooid,* live, New York (Roulette), 2012
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lagniappe
radio
Today WKCR-FM (Columbia University) is featuring Threadgill and a host of other musicians who came out of Chicago in the ’60s and ’70s.
In May of 1977, members of the Association for the Advancement of Creative Musicians (AACM) collaborated with students at WKCR to present “Chicago Comes to New York,” a four-day music festival at Columbia University’s Wollman Auditorium. Join us starting midnight on January 7, 2014 as we revisit this momentous event with a 24-hour marathon broadcast featuring music and interviews by the AACM.
Thirty members of the AACM came to New York with their families and friends for the festival, many for the first time. The festival also included an on-air component in the form of a ninety-hour broadcast of music and interviews with AACM artists. Over the last year, two recent WKCR alums restored and digitized the entire collection of reel-to-reel tapes from the festival, hearing the music for the first time since it was recorded.
Celebrate the incredibly important work that members of the AACM have been doing to promote artistic freedom and self-determination for nearly half a century. Help us revitalize and share these unique pieces of recorded history that WKCR is so privileged to have regained access to.
Johann Sebastian Bach, Partita No. 2 in C minor, BWV 826; Martha Argerich, piano, live, Switzerland (Verbier Festival), 2008
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lagniappe
radio
WKCR’s Bach Festival, now in its tenth day, concludes at midnight.
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reading table
Those who love their own noise are impatient of everything else. . . . Our noise, our business, our purposes, and all our fatuous statements about our purposes, our business, and our noise: these are the illusion.
—Thomas Merton, No Man Is An Island
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no passport needed
This year folks from ninety-five countries stopped by to listen. Welcome, all.
Last night this woman, who died of cancer in 2006, was very much alive, singing Bach on the radio.*
Johann Sebastian Bach, “Ich Habe Genug” (“I Have Enough,” church cantata), Lorraine Hunt Lieberson (1954-2006), 2003
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lagniappe
Christmas, 1948
Charlie Parker (alto saxophone), Kenny Dorham (trumpet), Al Haig (piano), Tommy Porter (bass), Max Roach (drums), “White Christmas,” live, New York (Royal Roost), 12/25/48
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*WKCR-FM (Columbia University), Bach Festival, through New Year’s Eve.