Wednesday, December 9th
Why God made “repeat.”
Morton Feldman (1926-1987; MCOTD Hall of Fame), Coptic Light (1986); Royal Concertgebouw Orchestra (Peter Eotvos, cond.), live, Amsterdam, 1998
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lagniappe
art beat
William Eggleston (1939-)
Why God made “repeat.”
Morton Feldman (1926-1987; MCOTD Hall of Fame), Coptic Light (1986); Royal Concertgebouw Orchestra (Peter Eotvos, cond.), live, Amsterdam, 1998
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William Eggleston (1939-)
tonight in Chicago
These guys are playing at Constellation, a performing-arts center on the northwest side.
Rempis Percussion Quartet (Dave Rempis, alto saxophone; Ingebrigt Haker-Flaten, bass; Frank Rosaly, drums; Tim Daisy, drums), live, Austria (Wels), 2013
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William Eggleston (1939-)
passings
Horace Silver, pianist, composer, bandleader, September 2, 1928-June 18, 2014
Horace Silver Quintet,* “Song for My Father,” live (TV show), Denmark, 1968
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William Eggleston (1939-)
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*HS, piano; Bill Hardman, trumpet; Bennie Maupin, tenor saxophone; John Williams, bass; Billy Cobham, drums.
A reader writes:
Have you seen these films?
Furry Lewis, guitar
William Eggleston, Stranded in Canton (1973-74)
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More?
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reading table
“Election Day”
By William Carlos Williams (1940)Warm sun, quiet air
an old man sitsin the doorway of
a broken house—boards for windows
plaster fallingfrom between the stones
and strokes the headof a spotted dog
Here’s a MCOTD first—music by someone who’s been featured previously (here, here, here, here, here) as a visual artist.
William Eggleston, piano
Live (Big Star: Nothing Can Hurt Me [forthcoming])
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Live, Japan (Tokyo, Hara Museum of Contemporary Art), 2010
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William Eggleston
Trying to capture jazz in standard notation can be like trying to translate poetry into another language—what you wind up with is everything but the poetry. So composer/trumpeter Wadada Leo Smith (who, like many of his peers, eschews “jazz” as a label for his music) invented his own system of graphic notation.
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Wadada Leo Smith (trumpet) with his Golden Quartet (Vijay Iyer [piano], John Lindberg [bass], Ronald Shannon Jackson [drums]); Eclipse, 2005
Part 1
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Part 2
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Part 3
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Part 4
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Part 5
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Part 6
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Part 7
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Part 8
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Earlier this month, when I mentioned the exhibit of William Eggleston’s photographs that’s currently at the Art Institute—posting an album cover that you’ll find in a display case there—I didn’t expect that Big Star would appear here again before the month’s end. But then I didn’t expect that Alex Chilton would pass away, either. Alex had more than simply an artistic interest in Eggleston and his work. He’d known the photographer, who was a good friend of his parents, since he was a little boy. Here, again, is the image Alex chose for that album cover, followed by a couple more from this exhibit.
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