music clip of the day

jazz/blues/rock/classical/gospel/more

Tag: Tyshawn Sorey

Monday, November 12th

more

Tyshawn Sorey Double Trio (TS, composition, conducting, drums; Cory Smythe, piano; Chris Tordini, bass; Fung Chern Hwei, violin; Kyle Amburst, viola; Rubin Kodheli, cello), “The Inner Spectrum of Variables” (T. Sorey), live, Ojai, Calif., 2017

 

**********

lagniappe

art beat

other day, National Museum of Mexican Art, Chicago

Nicolas de Jesus (1960-), La ofrenda (The Offering), 2009 (Día de Muertos: A Spiritual Legacy, through December 9th)

Saturday, November 10th

Here’s more of the only drummer-composer-trombonist-pianist-professor-MacArthur-“genius”-grant-recipient I know.

Tyshawn Sorey (drums) and Vijay Iyer (piano), live (studio), New York, 2017

 

**********

lagniappe

random sights

yesterday, Oak Park, Ill.

Tuesday, November 6th

spellbinding

Tyshawn Sorey Trio (TS, compositions, drums [2017 MacArthur Fellow]), Cory Smythe (piano), Chris Tordini (bass), live, New York, 2015

This I could listen to—I could lose myself in—for a long, long time.

 

They’re playing Thursday night at the University of Chicago.

**********

lagniappe

random sights

last night, Oak Park, Ill.

Thursday, April 26th

How many bands have not one but two MacArthur-certified “geniuses”?

Vijay Iyer Sextet (Vijay Iyer, keyboards, compositions [2013 MacArthur Fellow]; Tyshawn Sorey, drums [2017 MacArthur Fellow]; Stephan Crump, bass; Steve Lehman, alto saxophone; Graham Haynes, cornet and flugelhorn; Mark Shim, tenor saxophone), live, Ojai, Calif., 2017

 

**********

lagniappe

random sights

other day, Oak Park, Ill.

Monday, June 26th

what’s new

Here’s something from Roscoe Mitchell’s new album, Bells for the South Side (ECM), a 2-CD set recorded in 2015 at Chicago’s Museum of Contemporary Art.

“Spatial Aspects of the Sound,” Roscoe Mitchell (composition, piccolo), Craig Taborn (piano), Tyshawn Sorey (piano), William Winant (percussion), Kikanju Baku (wrist bells, ankle bells)

 

**********

lagniappe

random sights

this morning, outside Chicago (Salt Creek Trail)

Wednesday, January 18th

sounds of New York

Aaron Burnett’s Big Machine (AB, tenor saxophone, compositions; Peter Evans, trumpet, Carlos Homs, piano; Nicholas Joswiak, bass; Tyshawn Sorey, drums), live, New York, 11/30/16


**********

lagniappe

art beat: other day, The Guggenheim (New York)

Vasily Kandinsky (1866-1944), Painting with White Border, 1913

painting-with-white-border

Tuesday, May 31st

Need a lift?

Angelika Niescier (alto saxophone), Ralph Alessi (trumpet), Florian Weber (piano), Chris Tordini (bass), Tyshawn Sorey (drums), “The Barn Thing” (A. Niescier), live, Germany (Krefeld), 2013


**********

lagniappe

art beat: other day, Art Institute of Chicago 

Aaron Siskind (1903-1991), Martha’s Vineyard Rocks 127B 1954 (Abstractions, through 8/14/16)

3272_1615145

Saturday, January 16th

generous-souled

Salim Washington/Darius Jones Quintet (SW, tenor saxophone; DJ, alto saxophone; Yayoi Ikawa, piano; Mark Helias, bass; Tyshawn Sorey, drums), live, New York, 2012

Tuesday, January 20th

Need a jolt?

Brandon Lopez (bass), Tyshawn Sorey (drums), Chris Pitsiokos (alto saxophone), live, New York, 11/10/14

Talk about range. The piece we heard Saturday—the one with flute, violin, bass clarinet, and piano? It was composed by the drummer.

Saturday, January 17th

If your appetite for new music is insatiable, what better time to be alive?

Tyshawn Sorey (1980-), Quartet for Butch Morris (2012); International Contemporary Ensemble (ICE), featuring Erik Carlson (violin); Joshua Rubin (bass clarinet), Eric Lamb (flute), Cory Smythe (piano); live, New York, 2012

Six decades of listening and, until yesterday, I’d never heard this particular combination of instruments. You?

**********

lagniappe

art beat: yesterday at the Art Institute of Chicago

James Ensor (1860-1949), Rooftops of Ostend, 1884 (Temptation: The Demons of James Ensor, through January 25th)

1884-James-Ensor-Acoperisurile-din-Ostend-1

*****

reading table

Nature, the sky above us, is conducting no mean politics when it presents beauty to all, without discrimination, and nothing old and defective, but fresh and most tasty.

—Robert Walser (1878-1956), “Snowdrops,” excerpt (translated from German by Tom Whalen and Trudi Anderegg)