only rock ’n’ roll
Black Dub (Daniel Lanois, guitar, vocals; Trixie Whitley, keyboards, vocals; Jim Wilson, bass, vocals; Brian Blade, drums), “Ring the Alarm,” live, Vancouver, 2011
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lagniappe
art beat
Danny Lyon (1942-), Four Boys, Uptown, Chicago (1965)
From Zion Baptist Church in Shreveport to Miles Davis Hall in Montreux.
Black Dub (Daniel Lanois, guitar, pedal steel guitar, vocals; Brian Blade, drums; Trixie Whitley, guitar, keyboards, vocals; Jim Wilson, bass, vocals), Montreux, Switzerland, 2011
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Set list (courtesy of YouTube):
1) Intro
2) Surely
3) I Believe In You
4) Steel
5) The Collection Of Marie Claire
6) Silverado
7) The Messenger
8) I’d Rather Go Blind
9) Ring The Alarm
When the groove’s this strong, I don’t ever want it to end.
Give me another take.
And another.
Another.
Black Dub (Brian Blade, drums; Trixie Whitley, drums, vocals; Daniel Lanois, guitar, vocals; Jim Wilson, bass, vocals), “Last Time”
1: Santa Monica, 2/16/11
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2: Philadelphia, 11/18/10
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3: Vancouver, 2/2/11
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4: Hamburg, 7/21/11
replay: a clip too good for just one day
Great drummers are like great basketball players—they lift everybody’s game.
Trixie Whitley with Brian Blade (drums) and Daniel Lanois, “I’d Rather Go Blind,” recording session, 2008
lagniappe
Johnny [Vidacovich, featured on 9/30/09], man . . . what an inspiration. His playing is so liquid but at the same time just the street of it is so intoxicating. Studying with him, the drumming aspect was never about fundamental things. It was never about the drums as much as it was about the music and playing with this melodic sensibility. That sticks with me even more than the thickness or the groove, which he never spoke about, really. That was like a given. If you have it inside of you, that groove, you need to lay it down. But also need to be able to sing through the drums.—Brian Blade
(Originally posted on 2/13/10.)
Great drummers are like great basketball players—they lift everybody’s game.
Trixie Whitley with Brian Blade (drums) and Daniel Lanois, “I’d Rather Go Blind,” recording session, 2008
*****
Herbie Hancock (piano), Wayne Shorter (saxophone), Dave Holland (bass), Brian Blade (drums); live, Germany (Salzau), 2004
Part 1
(It may simply be a coincidence [or my imagination], but a four-note pattern that Herbie keeps repeating, with variations, reminds me, particularly at around 2:27 and following, of the beginning of Alfred Schnittke’s Piano Concerto [featured on 1/14/10].)
Part 2
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lagniappe
Johnny [Vidacovich, featured on 9/30/09], man . . . what an inspiration. His playing is so liquid but at the same time just the street of it is so intoxicating. Studying with him, the drumming aspect was never about fundamental things. It was never about the drums as much as it was about the music and playing with this melodic sensibility. That sticks with me even more than the thickness or the groove, which he never spoke about, really. That was like a given. If you have it inside of you, that groove, you need to lay it down. But also need to be able to sing through the drums.—Brian Blade
music clip of the day 