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Tag: Tomeka Reid

Tuesday, August 12th

sounds of Chicago

8 Bold Souls,* live, Poland (Poznan), 2009

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*Edward Wilkerson Jr., reeds; Mwata Bowden, reeds; Tomeka Reid, cello; Isaiah Jackson, trombone; Gerald Powell, tuba; Robert Griffin, trumpet; Harrison Bankhead, bass; Dushun Mosley, drums.

Wednesday, February 19th

sounds of Chicago

Mike Reed’s People, Places & Things (MR, drums; Jason Roebke, bass; Greg Ward, alto saxophone; Tim Haldeman, tenor saxophone), “Wilbur’s Tune,” live, Paris, 2010

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Mike Reed’s Myth/Science Assembly (MR, drums; Tomas Fujiwara, drums; Josh Abrams, bass; Greg Ward, alto saxophone; Ingrid Laubrock, tenor saxophone; Taylor Ho Bynum, trumpet; Mary Halvorson, guitar; Tomeka Reid, cello; Jason Adasiewicz, vibraphone; Nick Butcher, electronics), live (rearranging a found Sun Ra fragment [excerpt]), Chicago (Chicago Jazz Festival), 2011

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Mike Reed’s Loose Assembly (MR, drums; Josh Abrams, bass; Greg Ward, alto saxophone; Tomeka Reid, cello; Jason Adasiewicz, vibraphone), live (studio performance), Chicago, c. 2009

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If other Chicago musicians are “busy,” what’s Mike Reed? In addition to leading various groups, he owns and operates Constellation, a performing arts center. Then there’s the Pitchfork Music Festival, which this summer will feature, over the course of three days, Beck, Giorgio Moroder, Kendrick Lamar, Grimes, et al. He books and produces it.

Wednesday, March 13th

heaven, n. a place where each morning you’d be awakened by a different combination of musical instruments.

Living By Lanterns (Mike Reed, drums; Jason Adasiewicz, vibraphone; Tomeka Reid, cello, et al.), live, Switzerland (Zurich), 2013

Tuesday, 11/1/11

Edward Wilkerson, Jr. (bass clarinet), Tomeka Reid (cello), Scott Hesse (guitar), live, Lakeside, Michigan (Lakeside Inn), 10/16/11*

Vodpod videos no longer available.

No matter how long you’ve been listening to music there are always new things to hear. When, for instance, is the last time you heard a trio featuring bass clarinet, cello, and guitar?

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lagniappe

musical thoughts

This whole division between genres has more to do with marketing than anything else. It’s terrible for the culture of music. Like anything that is purely economic, it ignores the most important component.

Tom WaitsPitchfork interview, 10/18/11

*This concert was presented by portoluz as part of its Jazz on a Summer’s Day series.