more
Lou Harrison (1917-2003), Song of Queztecoatl (1941); Third Coast Percussion, live (studio), 2014
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lagniappe
random sights
other day, Chicago

like nobody else
Lou Harrison (1917-2003), Concerto for Violin with Percussion Orchestra (1959); Todd Reynolds (violin), Third Coast Percussion, John Corkill (percussion), 2018
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lagniappe
random sights
yesterday, Oak Park, Ill.
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reading table
I’d have to be really quick
to describe clouds—
a split second’s enough
for them to start being something else.— Wislawa Szymborska (1923-2012, MCOTD Hall of Fame), from “Clouds” (translated from Polish by Clare Cavanagh and Stanislaw Baranczak)
percussion festival
day four
Augusta Read Thomas (1964-), Resounding Earth (2012)
Third Coast Percussion, live
#1
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#2
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#3
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#4
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lagniappe
reading table
In my room, the world is beyond my understanding;/ But when I walk I see that it consists of three or four/ hills and a cloud.
—Wallace Stevens (1879-1955), from “Of the Surface of Things”
sounds of Chicago
Still fresh after seventy years.
John Cage (1912-1992), Credo in Us (1942)
Third Coast Percussion, live, Chicago, 2011
David T. Little (1978-), Haunt of Last Nightfall; Third Coast Percussion, live
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lagniappe
musical thoughts
It’s not hard to imagine a world where the different kinds of music could be counted. Maybe there’d be 49, or 94, or 949. Thank God, or whatever, we don’t live there.
sounds of Chicago
Marcos Balter (1974-), Dark Rooms (2007); Third Coast Percussion, 2014
If someone asked me to describe this, I wouldn’t know how to begin—which I mean as a compliment.
#1
#2
#3
#4
#5
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lagniappe
musical thoughts
[Y]oung musicians need Balter as much as Bach.
—Zachary Woolfe, New York Times, 12/3/13
A pianist plays the piano.
A violinist plays the violin.
A percussionist plays . . . how much time have you got?
Augusta Read Thomas (1964-), Resounding Earth (2012); Third Coast Percussion
1st Movement
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2nd Movement
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3rd Movement
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4th Movement
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lagniappe
musical thoughts
Augusta Read Thomas, talking about Resounding Earth: