How to be both solid and fluid, both fat and delicate. How to make the beat breathe. These are things that, as a child, Philly Joe Jones began to learn while dancing—tap-dancing. Just watch the way Thelonious Monk, listening to this solo, rocks back and forth (1:25-1:50), as if he’s about to break into a little dance himself.
Philly Joe Jones, live (with Thelonious Monk), 1959
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lagniappe
He breathed our history as/his walking beat . . . . The Man/So Hip/A City/Took/His/Name.—Amiri Baraka, Eulogies (1996)
Has there ever been a finer hour of jazz—of music—on TV?
The Sound of Jazz(CBS), 1957*
(A couple excerpts have been posted previously—here and here—but until the other day I’d never seen the whole show.)
*With Count Basie (piano), Thelonious Monk (piano), Billie Holiday (vocals), Jimmy Rushing (vocals), Coleman Hawkins (tenor saxophone), Ben Webster (tenor saxophone), Lester Young (tenor saxophone), Gerry Mulligan (baritone saxophone), Jimmy Giuffre (tenor saxophone, clarinet), Pee Wee Ellis (clarinet), Henry “Red” Allen (trumpet), Roy Eldridge (trumpet), Vic Dickenson (trombone), Danny Barker (guitar), Freddie Green (guitar), Jim Hall (guitar), Milt Hinton (bass), Jo Jones (drums), et al.
—Mudd Up! (DJ/Rupture, “new bass and beats”)
—Sinner’s Crossroads(Kevin Nutt, gospel) —Give the Drummer Some (Doug Schulkind, sui generis, Web only)
—Daniel Blumin
—Cherry Blossom Clinic (Terre T, rock, etc.)
—Antique Phonograph Music Program (MAC, “78s and cylinders . . . played on actual period reproducing devices”)
—HotRod (“Shamanic vibrational love frequencies for the infinite mind,” Web only)
• WHPK-FM(broadcasting from University of Chicago)
Sonny Rollins/Don Cherry Quartet (SR, tenor saxophone; DC, trumpet; Henry Grimes, bass; Billy Higgins, drums), “52nd Street Theme” (T. Monk), live (TV broadcast), Rome, 1962