Anthony Braxton (1945-, reeds, composition) with Dan Peck (tuba), Taylor Ho Bynum (brass), Tomeka Reid (cello), Jacqui Kerrod (harp), Shelly Burgon (harp), Adam Matlock (accordion, aerophones), “Composition No. 409,” live, New Haven (Connecticut), 2017
Anthony Braxton ZIM Sextet (AB [1945-], reeds, compositions; Taylor Ho Bynum, brass; Ingrid Laubrock, reeds; Tomeka Reid, cello; Jacqueline Kerrod, harp; et al.), live, Moers (Germany), 2017
Tomas Fujiwara (drums, composition) with Gerald Cleaver (drums), Mary Halvorson (guitar), Brandon Seabrook (guitar), Taylor Ho Bynum (cornet), Ralph Alessi (trumpet), “Blueberry Eyes,” live (studio), New Haven, Conn., 2017
Taylor Ho Bynum’s Rank Sentimentalist (THB, cornet; Marika Hughes, cello; Evan Patrick, guitar; Stomu Takeiship, bass; Chad Taylor, drums), “Black Lake” (Bjork), New York, 10/7/16
Mike Reed’s People, Places & Things (MR, drums; Jason Roebke, bass; Greg Ward, alto saxophone; Tim Haldeman, tenor saxophone), “Wilbur’s Tune,” live, Paris, 2010
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Mike Reed’s Myth/Science Assembly (MR, drums; Tomas Fujiwara, drums; Josh Abrams, bass; Greg Ward, alto saxophone; Ingrid Laubrock, tenor saxophone; Taylor Ho Bynum, trumpet; Mary Halvorson, guitar; Tomeka Reid, cello; Jason Adasiewicz, vibraphone; Nick Butcher, electronics), live (rearranging a found Sun Ra fragment [excerpt]), Chicago (Chicago Jazz Festival), 2011
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Mike Reed’s Loose Assembly (MR, drums; Josh Abrams, bass; Greg Ward, alto saxophone; Tomeka Reid, cello; Jason Adasiewicz, vibraphone), live (studio performance), Chicago, c. 2009
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If other Chicago musicians are “busy,” what’s Mike Reed? In addition to leading various groups, he owns and operates Constellation, a performing arts center. Then there’s the Pitchfork Music Festival, which this summer will feature, over the course of three days, Beck, Giorgio Moroder, Kendrick Lamar, Grimes, et al. Hebooks and produces it.
Labels are often worse than useless. This guy, for instance, is often tagged as “cerebral.” But here’s something you can’t—I can’t, anyway—listen to without smiling.
Anthony Braxton, Composition No. 58
Taylor Ho Bynum Chicago Big Band,* live, 2009, Chicago
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Here’s another take—Braxton’s original recording (The Complete Arista Recordings of Anthony Braxton [Mosaic], rec. 1976).
To obtain the value
of a sound, a movement,
measure from zero.
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A sound has no legs to stand on.
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The world is teeming: anything can
happen.
—John Cage, “2 Pages, 122 Words on Music and Dance” (excerpts)
*Taylor Ho Bynum & Josh Berman (cor), Jaimie Branch (tpt), Jeb Bishop & Nick Broste (tb), Nicole Mitchell (fl), Caroline Davis, Keefe Jackson & Dave Rempis (saxes), Jeff Parker (g), Jason Adasiewicz (vib), Nate McBride (b), Tim Daisy & Tomas Fujiwara (d)