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Tag: Sviatoslav Richter

Saturday, 5/21/11

Music isn’t an escape from the real world.

It is the real world.

Bach, Keyboard Concerto No. 7 in G minor (excerpt)
Glenn Gould, Toronto Symphony Orchestra

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Want to hear the whole thing?

Sviatoslav Richter, Padova and Veneto Orchestra

#1

Vodpod videos no longer available.


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#2

http://youtu.be/0sllj_lwzGY

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More Gould? Here.

More Richter? Here. And here. And here.

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lagniappe

musical thoughts

There is no greater community of spirit than that between the artist and the listener at home, communing with the music.

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The mental imagery involved with pianistic tactilia is not related to the striking of individual keys but rather to the rites of passage between notes.

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I believe that the justification of art is the internal combustion it ignites in the hearts of men and not its shallow, externalized, public manifestations. The purpose of art is not the release of a momentary ejection of adrenalin but is, rather, the gradual, lifelong construction of a state of wonder and serenity.

—Glenn Gould

Sunday, 5/8/11

Feet, hands, voices—spirits, too.

Christian Home Baptist Church Hymn Choir, “Hezekiah—You Got To Die!”
Live, McConnells, South Carolina (Mt. Do-Well Baptist Church), 1994

Vodpod videos no longer available.

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lagniappe

serendipity

If you keep your ears open, music turns up unexpectedly. Last month, for instance, I was in Cambridge, Massachusetts, where I got to talking with a Harvard student who’s from Greenville, South Carolina. He’s studying religion, hoping to be a minister. I told him, referring to performances like the one featured today, that I’d heard gospel music from the Greenville area that I loved. As it turned out, he’d grown up with the music—his grandfather sang in quartets. Now he sings, too.

Damaris Taylor, “’Tis So Sweet to Trust in Jesus”
Live, Cambridge, Massachusetts (Harvard BSA Apollo Night), 2010

Vodpod videos no longer available.

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listening room: what’s playing

• The Complete Blue Note Recordings of Herbie Nichols (Mosaic)

• The Lester Young/Count Basie Sessions (1936-1940) (Mosaic)

• Equal Interest (Joseph Jarman, Leroy Jenkins, Myra Melford), Equal Interest (OmniTone)

Billy Bang Quintet, Above and Beyond (Justin Time)

Various Artists, Trojan Box Set: Lovers (Trojan)

• Various Artists, Fire In My Bones: Raw + Rare + Other-Worldly African-American Gospel (1944-2007) (Tompkins Square)

Ernest Bloch: String Quartets 1-4, The Griller String Quartet (Decca)

Sviatoslav Richter, Richter Rediscovered: Carnegie Hall Recital 1960 (RCA Red Seal)

Alfred Schnittke: String Quartet No. 3, The Britten Quartet (Collins Classics)

Morton Feldman: For Bunita Marcus, John TilburyMorton Feldman, All Piano (London HALL)

WKCR-FM (broadcasting from Columbia University)
Bird Flight (Phil Schaap, jazz [Charlie Parker])
Morning Classical (Various)

WFMU-FM
Mudd Up! (DJ/Rupture, “new bass and beats”)
—Toothpick Rhythm
(Betsey Nichols, country)
Sinner’s Crossroads
(Kevin Nutt, gospel)
—Give The Drummer Some
(Doug Schulkind, sui generis)
—Downtown Soulville
(Mr. Fine Wine, soul)
Pseu Braun
(sui generis)
—Fool’s Paradise
(Rex, sui generis)
Transpacific Sound Paradise (Rob Weisberg, “popular and unpopular music from around the world”)
Daniel Blumin (sui generis)

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Today MCOTD celebrates its 600th post.

Thursday, 5/5/11

I sometimes feel as if I’m making my way, page by page, through a book titled The 10,000 Musical Performances You Must Hear Before You Die. Rarely does a week go by that I’m not astonished, at least once, by something I’ve never heard before. Yesterday it was this tiny gem.*

Sergei Prokofiev, Vision Fugitive No. 18, Con una dolce lentezza
Sviatoslav Richter (1915-1997), piano

Vodpod videos no longer available.

More Richter? Here. And here.

*S. Richter, Richter Rediscovered: Carnegie Hall Recital 1960 (RCA Red Seal)

Monday, 12/27/10

Of beauty you cannot have too much.

Frederic Chopin, Ballade No. 1 in G minor, Op. 23 (1835-36)

Take 1: Vladimir Horowitz, live, New York (Carnegie Hall)

Vodpod videos no longer available.

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Take 2: Krystian Zimerman, live

Vodpod videos no longer available.

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Take 3: Claudio Arrau

Vodpod videos no longer available.

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Take 4: Alfred Cortot

Vodpod videos no longer available.

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Take 5: Sviatoslav Richter, live (Kiev)

Vodpod videos no longer available.

More Chopin? Here. And here. And here.

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lagniappe

musical thoughts

[T]he things we feel in life are not experienced in the form of ideas, and so their translation into literature, an intellectual process, may give an account of them, explain them, analyse them, but cannot recreate them as music does, its sounds seeming to take on the inflections of our being, to reproduce that inner, extreme point of sensation which is that thing that causes us the specific ecstasy we feel from time to time and which, when we say ‘What a beautiful day! What beautiful sunshine!’, is not conveyed at all to our neighbour, in whom the same sun and the same weather set off quite different vibrations.

—Marcel Proust, The Prisoner (1925) (trans. Carol Clark [2002])

Saturday, 4/17/10

When it comes to saying a lot with a little, Chopin’s 24 Preludes for solo piano—most of which last no more than a minute or two—have few equals. This one was played at his funeral.

Frederic Chopin, Prelude No. 4 in E Minor, Op. 28

Sviatoslav Richter (1915-1997)

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Alfred Cortot (1877-1962)

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Martha Argerich (1941-)

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lagniappe

Today isn’t just any old day; it’s Record Store Day 2010.

Chris Brown, Bull Moose (New England record stores)

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reading table

an old man’s ways—

my backside warmed

by the wood fire

—Kobayashi Issa (1763-1828; Trans. David G. Lanoue)