music clip of the day

jazz/blues/rock/classical/gospel/more

Tag: Stephen Drury

Monday, February 1st

Why not begin the week with something beautiful?

John Cage (1912-1992), In a Landscape (1948); Stephen Drury (piano), 1994

 

**********

lagniappe

random sights

yesterday, Oak Park, Ill.

*****

reading table

No one home.
Fallen pine needles
scattered at the door.

—Ryokan (1758-1831), translated from Japanese by Kazuaki Tanahashi

Saturday, February 25th

A handful of pieces I never tire of, no matter how many times I hear them. This is one.

Morton Feldman (1926-1987; MCOTD Hall of Fame), For Bunita Marcus (1985); Stephen Drury (piano), live, Boston, 2016


**********

lagniappe

art beat: other day, Museum of Contemporary Art Chicago

Jasper Johns (1930-), In Memory of My Feelings—Frank O’Hara, 1961

johns-in_memory_of_my_feelings_-_frank_ohara

 

Monday, May 11th

career plans for the next life

Maybe, instead of those other things (tap dancer, rubboard player in a zydeco band, bass player in a reggae band, guitar player in a Malian band, cellist in a string quartet), I’ll be a bird.

John Luther Adams (1953-), songbirdsongs (1974-80), Callithumpian Consort (Stephen Drury, dir.), recording (2012)


**********

art beat

Tony Fitzpatrick (1958-), Lunch Drawing #48: A Bird for Bruce Lee

ABirdForBruceLee-600

Wednesday, 9/5/12

Happy (100th) Birthday, John!

John Cage, composer, September 5, 1912-August 12, 1992

Today, celebrating his centennial, we revisit past clips.

*****

10/9/09

No matter where you are, this landscape is just around the corner.

John Cage (1912-1992), In a Landscape (1948); Stephen Drury, piano

**********

lagniappe

musical thoughts

Music is a means of rapid transportation.

***

What I’m proposing, to myself and other people, is what I often call the tourist attitude—that you act as though you’ve never been there before. So that you’re not supposed to know anything about it. If you really get down to brass tacks, we have never been anywhere before.

***

As far as consistency of thought goes, I prefer inconsistency.

—John Cage

*****

5/22/10

Here’s a piece that sounds different every time you hear it.

John Cage, 4’ 33” (1952); David Tudor, piano

lagniappe

***

*****

musical thoughts

I didn’t wish it [4′ 33″] to appear, even to me, as something easy to do or as a joke. I wanted to mean it utterly and be able to live with it.

***

Until I die there will be sounds. And they will continue following my death. One need not fear about the future of music.

—John Cage

*****

3/8/12

John Cage, Two (1987)

Live, Netherlands (Amsterdam), 2009
Dante Boon (piano), Rutger van Otterloo (soprano saxophone)

*****

Recording, 1991 (hat Art)
Marianne Schroeder (piano), Eberhard Blum (flute)

**********

lagniappe

musical thoughts

Every something is an echo of nothing.

—John Cage, Silence (1961)

*****

7/23/12

Monday, n. the day the weekly tide of confusion rolls in.

How about something simple?

John Cage (1912-1992), Six Melodies (for violin and keyboard; dedicated to Josef & Anni Albers), 1950; Annelie Gahl (violin) & Klaus Lang (electric piano), 2010

*****

lagniappe (new stuff)

radio

Today it’s all Cage all day at WKCR-FM.

***

art beat: more from Sunday’s stop at the Art Institute of Chicago

Agnes Martin, Untitled #12, 1977 (detail)

***

another birthday, closer to home

Today also marks the birthday of MCOTD—our third.

Saturday, 10/10/09

No matter where you are, this landscape is just around the corner.

John Cage (1912-1992), “In a Landscape” (1948)/Stephen Drury, piano

**********

lagniappe

Music is a means of rapid transportation.

***

What I’m proposing, to myself and other people, is what I often call the tourist attitude—that you act as though you’ve never been there before. So that you’re not supposed to know anything about it. If you really get down to brass tacks, we have never been anywhere before.

***

As far as consistency of thought goes, I prefer inconsistency.

—John Cage

%d bloggers like this: