music clip of the day

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Tag: Robert Pete Williams

Wednesday, February 7th

old school

Robert Pete Williams (1914-1980), “Goodbye Slim Harpo,” 1971

 

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Slim Harpo (AKA James Isaac Moore, 1924-1970), The Best of Slim Harpo, 1983*

 

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*01 – Baby Scratch My Back (1965); 02 – I Got Love If You Want It (1957); 03 – I’m A King Bee (1957); 04 – Little Queen Bee (Got A Brand New King) (1964); 05 – Shake Your Hips (1966); 06 – Te-Ni-Nee-Ni-Nu (1968); 07 – Buzz Me Babe (1960); 08 – Buzzin’ (1963); 09 – Rainin’ In My Heart (1961); 10 – Still Rainin’ In My Heart (1964); 11 – Late Last Night (1960); 12 – Tip On In, Part 1 (1967); 13 – Bobby Sox Baby (1961); 14 – Don’t Start Cryin’ Now (1961); 15 – I Need Money (Keep Your Alibis) (1964); 16 – Strange Love (1958); 17 – Rock Me Baby (1976); 18 – Blues Hang-Over (1960).

Friday, 8/5/11

three takes

“Grown So Ugly” (Robert Pete Williams)

I got so ugly, I don’t even know myself . . .

Black Keys
Live, Nashville (Grimey’s Record Store), 2006

Vodpod videos no longer available.

More? Here.

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Captain Beefheart & His Magic Band (with Ry Cooder, guitar)
Safe As Milk, 1967

Vodpod videos no longer available.

More? Here. And here.

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Robert Pete Williams
Free Again, 1961

Vodpod videos no longer available.

More? Here. And here.

This is, to these ears, one of the greatest—most vivid, most haunting—songs in all of blues.

Saturday, 6/18/11

Art forms, like animal species, become extinct.

Robert Pete Williams (1914-1980), “Scrap Iron Blues”
Live, Louisiana (Baton Rouge), 1971

Vodpod videos no longer available.

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lagniappe

It’s difficult to approve the banalities of most blues singers after listening to Robert Pete Williams. The blues tradition is frequently cited to explain a singer’s conventionality. We see with Robert Pete Williams, however, the possibilities of the blues. He relies upon none of the cliches, either of music or of lyric, which bluesman after bluesman will invoke. He makes each song unmistakably his own and while at times his genius may seem perverse in its oddness, when he succeeds and each odd element comes together, he will convey a tone of almost unbearable sadness.

—Peter Guralnick, Feel Like Going Home (1971)

Saturday, 7/31/10

In the wrong hands no genre is more tedious.

In the right hands none is more riveting.

Robert Pete Williams, live, England, 1966

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going forward

It will still be “music clip of the day”—it just won’t be every day. Some weeks, I expect, I’ll be here nearly every day; other weeks less often. Stay tuned.