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Tag: Peter Schjeldahl

Sunday, December 20th

testify!

United House of Prayer Shout Bands, live, published 2011

 

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lagniappe

random sights

a while ago, Ireland (Dingle Peninsula)

*****

reading table

Do you sometimes imagine that you’re getting used to the emergency? I think I can guarantee that you’re not, burdened by states of mind that will be comprehensible only retrospectively, when they no longer pertain. The world going on nonetheless, as the world will, feels bizarrely conditional, subject in thought and action to a blanketing subjunctive mood: things as we wish they were. We are waiting this out with nostalgia for lost freedoms, fear and empathy in the present, and, perhaps, vague anticipation of eventual survivor’s guilt. Never has social privilege seemed more unfair while being clung to so tenaciously. Some of us—artists—are undergoing the siege in ways that can alert us to the subjective dimensions of an objective calamity. We should want those people to keep it up as best they can.

—Peter Schjeldahl, “The Art World: The Melancholy Gestalt of Isolation” (reviewing  100 Drawings from Now, Drawing Center,  New York), New Yorker, website (12/14/20), 12/21/20 issue (“The Fix We’re In”)

*****

streaming

Tomorrow, 6:30 a.m. (CST): the 30th annual winter solstice concert by Chicago-based percussionists Michael Zerang and Hamid Drake (MCOTD Hall of Fame).

Friday, September 25th

what’s new

Anderson .Paak (feat. Rick Ross), “Cut Em In,” 9/23/20

 

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lagniappe

random sights

other day, outside Chicago

*****

reading table

What makes anyone draw one line and then add another? How does the second affect the first and determine the character of a third or fourth?

—Peter Schjeldahl, “Lineage: French drawings from the nineteenth century,” New Yorker, 9/14/20

Sunday, December 22nd

never enough

Gospel Harmonettes (featuring Dorothy Love Coates, 1928-2002, MCOTD Hall of Fame), “I Won’t Let Go” (D. Coates), live (TV show), 1964

 

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lagniappe

other day, Oak Park, Ill.

*****

reading table

To limber your sensibility, stalk the aesthetic everywhere: cracks in a sidewalk, people’s ways of walking. The aesthetic isn’t bounded by art, which merely concentrates it for efficient consumption. If you can’t put a mental frame around, and relish, the accidental aspect of a street or a person, or really of anything, you will respond to art only sluggishly.

—Peter Schjeldahl, “The Art of Dying,” New Yorker, 12/23/19

Tuesday, December 17th

sounds of New York

More of one of my favorite drummers—again at the Village Vanguard.

Ed Blackwell (drums, 1929-1992) with Mal Waldron (1925-2002, piano), Charles Rouse (1924-1988, tenor saxophone), Woody Shaw (1944-1989, flugelhorn), Reggie Workman (1937-, bass), “Git Go” (M. Waldron, excerpt), live, New York (Village Vanguard), 1985

 

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lagniappe

random sights

yesterday, Chicago

*****

reading table

Do you imagine that writers speak ‘as themselves’? No such selves exist.

—Peter Schjeldahl, “The Art of Dying,” New Yorker, 12/23/19

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