music clip of the day
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Tag: Peter Evans
2017
Wednesday, January 18th
sounds of New York
Aaron Burnett’s Big Machine (AB, tenor saxophone, compositions; Peter Evans, trumpet, Carlos Homs, piano; Nicholas Joswiak, bass; Tyshawn Sorey, drums), live, New York, 11/30/16
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lagniappe
art beat: other day, The Guggenheim (New York)
Vasily Kandinsky (1866-1944), Painting with White Border, 1913
2016
Wednesday, December 21st
sounds of New York
Pulverize the Sound (Peter Evans, trumpet; Tim Dahl, bass; Mike Pride, drums), live, New York, 2013
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lagniappe
reading table
Jackie Evancho, a 16-year-old singer who became famous after appearing on “America’s Got Talent,” announced last week that she would sing the national anthem at the inauguration.
—“Andrea Bocelli Won’t Be Singing at the Trump Inauguration,” New York Times, 12/20/16
2015
Wednesday, June 17th
not like this, not like that
Nate Wooley, “Polychoral for trumpets and 8-channel audio”; Nate Wooley & Peter Evans (trumpets), live, New York (Knockdown Center), 2015
*****
lagniappe
musical thoughts
In 1915 no one had heard an electric guitar. In 2065 sounds we’ve never heard will be commonplace. What will they be?
2014
Monday, March 31st
sounds of New York
Peter Evans’ Zebulon Trio (PE, trumpet; John Hebert, bass; Kassa Overall, drums), “Air Train,” live, New York (Jazz Gallery), 2013
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lagniappe
random thoughts
Note to self: cultivate lightness.
2014
Saturday, February 8th
a gathering of birds
Evan Parker Quartet (EP, soprano saxophone; Peter Evans, trumpet; John Russell, guitar; John Edwards, bass), live, London, 2009
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lagniappe
musical thoughts
Music offers a way out of our little cluttered closet.
2013
Wednesday, September 25th
love it or hate it
Weasel Walter (drums), Mary Halvorson (guitar), Peter Evans (trumpet), live, New York (Death By Audio, Brooklyn), 2012
2012
Sunday, 4/29/12
Let’s go to church.
“Until I Die,” Pilgrim Rest Baptist Church, Winston-Salem, N.C., 2001
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lagniappe
reading table
On the Death of Friends in Childhood
We shall not ever meet them bearded in heaven,
Nor sunning themselves among the bald of hell;
If anywhere, in the deserted schoolyard at twilight,
Forming a ring, perhaps, or joining hands
In games whose very names we have forgotten.
Come, memory, let us seek them there in the shadows.
—Donald Justice (Collected Poems, 2004)
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“[We find] it impossible, when we have to analyze death, to imagine it in terms other than those of life.”
—Marcel Proust, The Fugitive (translated from French by Peter Collier)
*****
listening room: (some of) what’s playing
• The Dirtbombs, Ultraglide In Black (In the Red Records)
• Wild Flag (Merge Records)
• That’s What They Want: The Best of Jerry McCain (Excello)
• The Best of Slim Harpo (Hip-O)
• Ambrose Akinmusire, When the Heart Emerges Glistening (Blue Note)
• Lester Bowie’s Brass Fantasy, I Only Have Eyes For You (ECM)
• Anthony Braxton, 9 Compositions (Iridium)
• Chicago Tentet, American Landscapes 1 & 2 (Okka)
• Steve Lehman Octet, Travail, Transformation, and Flow (Pi Recordings)
• Joe McPhee, Nation Time (Unheard Music Series)
• Weasel Walter, Mary Halvorson, Peter Evans, Electric Fruit (Thirsty Ear)
• J. Berg’s Royal Rarities Vols. 2-3; A Cappella Archives, Vol. 3; Gospel Goldies, Vol. 2 (Rare Gospel)
• The Fisk Jubilee Quartet, There Breathes A Hope (Archeophone)
• This May Be My Last Time Singing: Raw African-American Gospel On 45 RPM 1957-1982 (Tompkins Square)
• Bach, Suites for Unaccompanied Cello, Pierre Fournier, (Archiv Production/DG)
• Mozart, Piano Sonatas Nos. 16 and 17, Peter Serkin, piano (Pro Arte)
• Arnold Schoenberg, Das Klavierwerk, Peter Serkin, piano (Arcana)
• The Art of Joseph Szigeti (Biddulph Recordings)
• Anton Webern, Five Movements For String Quartet, Op. 5; Six Bagatelles For String Quartet, Op. 9; String Quartet, Op. 28; Quartetto Italiano (Philips)
• Anton Webern, Complete Works for String Quartet and String Trio, Artis Quartet Wien (Nimbus)
• Music of Stefan Wolpe, Vol. 6, David Holzman, piano (Bridge)
• WKCR-FM (broadcasting from Columbia University)
—Bird Flight (Phil Schaap, jazz [Charlie Parker])
—Traditions in Swing (Phil Schaap, jazz)
—Eastern Standard Time (Carter Van Pelt, Jamaican music)
—Rag Aur Taal (various, Indian)
• WFMU-FM
—Mudd Up! (DJ/Rupture, “new bass and beats”)
—Sinner’s Crossroads (Kevin Nutt, gospel)
—Cherry Blossom Clinic (Terre T, rock, etc.)
—Fool’s Paradise (Rex; “Vintage rockabilly, R & B, blues, vocal groups, garage, instrumentals, hillbilly, soul and surf”)
• WHPK-FM (broadcasting from University of Chicago)
—The Blues Excursion (Arkansas Red)
*****
radio
Happy Birthday, Duke!
2012
Wednesday, 2/8/12
not for the faint of heart
Weasel Walter (drums), Peter Evans (trumpet), Mary Halvorson (guitar), live, Toronto (Placebo Space), 2011
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lagniappe
reading table
We call it a grain of sand,
but it calls itself neither grain nor sand.
It does just fine without a name,
whether general, particular,
permanent, passing,
incorrect, or apt.Our glance, our touch mean nothing to it.
It doesn’t feel itself seen and touched.
And that it fell on the windowsill
is only our experience, not its.
For it, it is no different from falling on anything else
with no assurance that it has finished falling
or that it is falling still.The window has a wonderful view of a lake,
but the view doesn’t view itself.
It exists in this world
colorless, shapeless,
soundless, odorless, and painless.The lake’s floor exists floorlessly,
and its shore exists shorelessly.
Its water feels itself neither wet nor dry
and its waves to themselves are neither singular nor plural.
They splash deaf to their own noise
on pebbles neither large nor small.And all this beneath a sky by nature skyless
in which the sun sets without setting at all
and hides without hiding behind an unminding cloud.
The wind ruffles it, its only reason being
that it blows.A second passes.
A second second.
A third.
But they’re three seconds only for us.Time has passed like a courier with urgent news.
But that’s just our simile.
The character is invented, his haste is make-believe,
his news inhuman.—Wislawa Szymborska (1923-2012), “View with a Grain of Sand” (translated from Polish by Stanislaw Baranczak and Clare Cavanagh)
2012
Thursday, 2/2/12
most useless label?
world music
indie rock
free jazz
The competition’s fierce.
Mostly Other People Do the Killing (Moppa Elliott, bass; Peter Evans, trumpet; Jon Irabagon, alto saxophone; Kevin Shea, drums), live, London (The Vortex), 7/14/11
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lagniappe
art beat: yesterday at the Art Institute of Chicago (after a hearing at the nearby federal court building)
Vincent van Gogh
The Bedroom (1889)
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Self-Portrait (1887)
With van Gogh, the life continually threatens to overtake the art; the challenge is to look with fresh eyes.
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