McCoy Tyner Quartet (MT, piano; Bobby Hutcherson, vibes; Charnett Moffett, bass; Eric Harland, drums), live, England, 2002
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John Coltrane (tenor saxophone, with Lee Morgan trumpet; Curtis Fuller, trombone; Kenny Drew, piano; Paul Chambers, bass; Philly Joe Jones, drums), recording (Blue Train), 1957
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lagniappe
random thoughts
Hearing, seeing, touching, smelling, tasting: what sense is missing from our repertoire that, if you came from some other world, you couldn’t imagine living without?
With John Coltrane (saxophone), Wynton Kelly (piano), Paul Chambers (bass), Jimmy Cobb (drums), Gil Evans Orchestra; live (TV Broadcast), 1959
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Take 2
With Wayne Shorter (saxophone), Herbie Hancock (piano), Ron Carter (bass), Tony Williams (drums); live (TV broadcast), 1964
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lagniappe
[Many admirers of Kind of Blue] are forced to reach back before the modern era to find its measure. Drummer Elvin Jones hears the same timeless sublimity and depth of feeling ‘in some of the movements of Beethoven’s Ninth Symphony, or when I hear Pablo Casals play unaccompanied cello.’ ‘It’s like listening to Tosca, says pianist/singer Shirley Horn. ‘ You know, you always cry, or at least I do.’
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Quincy Jones: ‘That will always be my music, man. I play Kind of Blue every day—it’s my orange juice. It still sounds like it was made yesterday.’
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Chick Corea: ‘It’s one thing to just play a tune, or play a program of music, but it’s another thing to practically create a new language of music, which is what Kind of Blue did.’
—Ashley Kahn, Kind of Blue: The Making of the Miles Davis Masterpiece (2000)
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