like nothing else
Moor Mother (aka Camae Ayewa), “Woody Shaw” (feat. Melanie Charles), published 6/8/22
*****
inspiration
Woody Shaw (1944-1989, trumpet, composition), “Stepping Stone,” live, Italy, 1979
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lagniappe
art beat: a while ago, Art Institute of Chicago
Paul Cezanne (1839-1906), Grand Bouquet of Flowers (c. 1892-95), detail
another take
“Body and Soul” (J. Green, E. Heyman, R. Sour, F. Eyton), 1930: Art Pepper (1925-1982, alto saxophone), live, Japan (Hokkaido), 1981
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lagniappe
art beat: other day, Art Institute of Chicago
Paul Cezanne (1839-1906), The Bay at L’Estaque (1878-82) (Cezanne—The Artist’s Artist, through 9/5/22)
never enough
Johann Sebastian Bach (1685-1750), Ricercar a 6 (from The Musical Offering), arranged for chamber orchestra by Anton Webern (1883-1945); Frankfurt Radio Symphony Orcestra (Antonello Manacorda, cond.), live, Frankfurt (Germany), 2015
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lagniappe
art beat: yesterday, Art Institute of Chicago
Paul Cezanne (1839-1906), L’Estaque with Red Roofs (1883-85), detail (Cezanne—The Artist’s Artist, through 9/5/22)
like nobody else
Roscoe Mitchell (1940-, alto and soprano saxophone, composition) with Hugh Ragin (trumpet), Tyshawn Sorey (trombone), live, New York, 2015
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lagniappe
art beat: Museum of Modern Art, New York, 3/6/20
Paul Cezanne (1839-1906), Chateau Noir (1903-04)
old school
Soul Stirrers (feat. R.H. Harris), “Canaan Land,” 1947
Ever tire of the 21st century?
Me, too.
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lagniappe
art beat: other day, Art Institute of Chicago
Paul Cezanne (1839-1906), The Bathers, 1899/1904
This I could listen to all day.
John Cage (1912-1992), Dream (1948)
Anton Batagov (1965-, piano), live, Moscow, 2014
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lagniappe
art beat: other day, Museum of Modern Art (New York)
Paul Cezanne (1839-1906), Pines and Rocks, c. 1897
alone
John Cage (1912-1992), In a Landscape (1948)
Anton Batagov (1965-, piano), live, Moscow, 2014
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lagniappe
art beat: yesterday at the Art Institute of Chicago
Paul Cezanne, The Bay of Marseilles, Seen From L’Estaque, c. 1885
This, too, I never tire of.
tonight in Chicago
This guy will be playing two sets—one by himself, the other with vibraphonist Jason Adasiewicz and drummer Frank Rosaly—at the Hideout.
James Falzone (clarinet), live, New Haven, 2014
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lagniappe
art beat: yesterday at the Art Institute of Chicago (lunch hour)
Paul Cezanne, The Bay of Marseilles, Seen From L’Estaque, c. 1885
No stage. No microphone. Just heart.
Evangelist Mary Brown and the Spiritual Singers, “I’ll Fly Away,” live, North Carolina (Plymouth, pop. ~4,000), 2011
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lagniappe
art beat: Thursday at the Art Institute of Chicago (after meeting with a client at the nearby federal jail)
Paul Cezanne, The Bay of Marseilles, Seen From L’Estaque, c. 1885
If a stranger, standing next to me in front of this painting, leaned over and whispered, “There’s no better place to be on the planet,” I wouldn’t disagree.
People talk about getting enough of this or that in their daily diet. But what about beauty? There’s an epidemic, unreported by TV, radio, newspapers, of beauty malnutrition.
Lou Harrison (1917-2003), Threnody for Carlos Chavez (1978); William Winant Percussion Group with David Abel (viola), live, Berkeley, Calif., 2010
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lagniappe
art beat: Friday at the Art Institute of Chicago (while waiting for the jury to return a verdict in a trial involving an alleged conspiracy to steal millions of dollars of diamonds)
Paul Cezanne, The Bay of Marseilles, Seen From L’Estaque, c. 1885
music clip of the day 