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Tag: Nate Wooley

Friday, May 3rd

tonight in Chicago

They’re playing at Corbett v. Dempsey.

Ken Vandermark (reeds) and Nate Wooley (trumpet), live, Copenhagen, 2016

 

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lagniappe

reading table

Forever – is composed of Nows –

—Emily Dickinson (1830-1886), from 690 (Franklin)

Saturday, July 14th

what’s new

Nate Wooley (trumpet), Michael Foster (tenor saxophone), Brandon Lopez (bass), Ben Bennett (percussion), live, New York, 6/21/18

 

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lagniappe

random sights

last night, Oak Park, Ill.

Monday, February 26th

trumpet festival
day one

Nate Wooley Quartet (NW, trumpet, compositions; Chris Pitsiokos, alto saxophone;  Brandon Lopez, bass; Dre Hocevar, drums), live, New York, 2016

 

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lagniappe

random sights

other day, Chicago (Garfield Park Conservatory)

Tuesday, December 20th

sounds of New York

Charmaine Lee (vocal) & Nate Wooley (trumpet), live, New York, 11/20/16


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lagniappe

reading table

If novelists know anything it’s that individual citizens are internally plural: they have within them the full range of behavioral possibilities. They are like complex musical scores from which certain melodies can be teased out and others ignored or suppressed, depending, at least in part, on who is doing the conducting. At this moment, all over the world—and most recently in America—the conductors standing in front of this human orchestra have only the meanest and most banal melodies in mind. Here in Germany you will remember these martial songs; they are not a very distant memory. But there is no place on earth where they have not been played at one time or another. Those of us who remember, too, a finer music must try now to play it, and encourage others, if we can, to sing along.

—Zadie Smith, “On Optimism and Despair,” (“A talk given in Berlin on November 10 on receiving the 2016 Welt Literature Prize.”), New York Review of Books, 12/22/16 issue

Wednesday, October 19th

sounds of New York

Nate Wooley Quartet (NW, trumpet, compositions; Chris Pitsiokos, alto saxophone; Brandon Lopez, bass; Dre Hocevar, drums), live, New York, 10/6/16

 

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lagniappe

reading table

Seen in plain daylight
the firefly’s nothing but
an insect

—Matsuo Basho (1644-1694; translated from Japanese by Sam Hamill)

Tuesday, January 26th

sounds of New York

Nate Wooley (trumpet, electronics), For Kenneth Gaburo, live, New York, 2015


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lagniappe

random sights

other day, Oak Park, Ill.

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Wednesday, October 28th

tonight in Chicago

These guys will be playing at Elastic Arts.

Nate Wooley (trumpet), Paul Lytton (percussion), live, Austria (Wels)

2012

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2011

Wednesday, July 15th

One. One. Then two.

Nate Wooley (trumpet), Ken Vandermark (saxophone), live (studio performance), Pittsburgh, 2015

Wednesday, June 17th

not like this, not like that

Nate Wooley, “Polychoral for trumpets and 8-channel audio”; Nate Wooley & Peter Evans (trumpets), live, New York (Knockdown Center), 2015


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lagniappe

musical thoughts 

In 1915 no one had heard an electric guitar. In 2065 sounds we’ve never heard will be commonplace. What will they be?

Saturday, May 10th

sounds of New York

Nate Wooley’s Seven Storey Mountain,* live, New York, 2014

#1


#2


#3


#4


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lagniappe

art beat: more from Thursday at the Art Institute of Chicago

Christopher Wool (1955-)

Untitled_2010-2

 

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*Nate Wooley, trumpet; Chris Dingman, vibraphone; Matt Moran, vibraphone; C. Spencer Yeh, violin; Ben Vida, electronics; Chris Corsano and Ryan Sawyer, drums; Gareth Flowers, Tim Leopold, and Chris DeMeglio, trumpets; Chris McIntyre, Jen Baker, and Will Baker, trombones.