never enough
Best job in music? Playing drums for Monk.
Thelonious Monk Quartet (TM [1917-1982], piano, compositions; Charlie Rouse, tenor saxophone; John Ore, bass; Frankie Dunlop, drums), live (“Monk’s Dream”; Drums solo; “Criss-Cross”; “Rhythm-a-Ning”; “Epistrophy”; “Evidence”; “Ruby, My Dear”; “Bright Mississippi”), Brussels, 1963
**********
lagniappe
random sights
this morning, Chicago (Monadnock Building)

never enough
András Schiff (1953-, piano), playing Bach and Beethoven, London, yesterday*
*Program:
Bach: Well-Tempered Clavier (“WTC”), Book I, Prelude and Fugue No. 17 in A flat major
Bach: WTC, Book II, Prelude and Fugue No. 17 in A flat major
Beethoven: Piano Sonata No. 12 in A flat (Op. 26)
Bach: WTC, Book I, Prelude and Fugue No. 6 in D minor
Bach: WTC, Book II, Prelude and Fugue No. 6 in D minor
Beethoven: Piano Sonata No. 17 in D minor (Op. 31)
Bach: WTC, Book I, Prelude and Fugue No. 14 in F sharp minor
Bach: WTC, Book II, Prelude and Fugue No. 14 in F sharp minor
Beethoven: Piano Sonata No. 24 in F sharp (Op. 78)
Encore: Bach, Invention No. 8 in F
**********
lagniappe
random sights
yesterday, Oak Park, Ill.

what’s new
Laurie Anderson (1947-, vocals, electronics, violin, compositions) with Roma Baran (synthesizer), Rubin Kodheli (cello), live (“Let x=x,” “Violin Cello Improv,” “O Superman”), New York, published 5/20/21
**********
lagniappe
random sights
other day, outside Chicago (Glen Ellyn)

*****
reading table
The distant mountains
are reflected in the eye
of the dragonfly—Kobayashi Issa (1763-1827), translated from the Japanese by Sam Hamill