music clip of the day

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Tag: music clip of the day

Friday, 3/18/11

Original?

Nah.

But, uh, who cares?

The Hives, “Hate To Say I Told You So,” live, France (Belfort), 6/30/07

*****

Many of my most vivid musical experiences were the product of serendipity. A few years ago, I spent a long weekend in Oxford, Mississippi, where, as it turned out, these guys had just finished recording an album. Saturday night, as a farewell, they played a little club off the Square. Floor-rumbling, bone-rattling loud they were—and a whole lotta fun.

Proud Larry’s, Oxford, Mississippi

*****

Thursday, 3/17/11

two takes

Mozart was a kind of idol to me—this rapturous singing . . . that’s always on the edge of sadness and melancholy and disappointment and heartbreak, but always ready for an outburst of the most delicious music.

Saul Bellow

Mozart, Quintet for Clarinet and Strings in A major, K. 581 (1789)
2nd Movement (Larghetto)

Bruce Nolan (clarinet) and the Sierra String Quartet

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Yona Ettlinger (clarinet) and the Tel Aviv Quartet

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More? Here. And here. And here.

Wednesday, 3/16/11

If I could dance like this, I’d never sit down.

Geri Allen Quartet (GA, piano; Kenny Davis, bass; Kassa Overall, drums; Maurice Chestnut, tap percussionist), “Philly Joe,” live, Detroit, 2009

Vodpod videos no longer available.

More? Here.

Tuesday, 3/15/11

Big Jack Johnson, July 30, 1940-March 14, 2011

Live (Deep Blues, 1992)

“Catfish Blues”

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“Daddy, When Is Mama Coming Home”

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lagniappe

art beat

American Modern: Abbott, Evans, Bourke-White
Art Institute of Chicago (through 5/15/11)

Walker Evans, Barbershops, Vicksburg, Mississippi (1936)

Monday, 3/14/11

Albert King

Fontella Bass

Art Ensemble of Chicago

Fela Anikulapo Kuti

Few musicians travel so widely—or so well.

Lester Bowie, trumpet, October 11, 1941-November 8, 1999

Lester Bowie’s Brass Fantasy (Steve Turre, trombone; Phillip Wilson, drums)
Live, Germany (Berlin), 1986

#1

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#2 (Whitney Houston’s “Saving All My Love For You”)

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Lester and drummer Phillip Wilson were kindred spirits. Like Lester, the drummer came out of St. Louis. And like Lester, he roamed freely. Adventurous jazz (Art Ensemble of Chicago), funky soul (Stax Records sessions), hard-rocking blues (Paul Butterfield Blues Band): to each he brought the same hands, the same feet, the same ears.

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lagniappe

Bill Cosby on Lester Bowie

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Sunday, 3/13/11

This afternoon, at 3 p.m., hundreds of gospel fans—from all over—will gather, once again, at a church on Chicago’s south side (First Church of Deliverance, 4315 S. Wabash) to celebrate her (85th!) birthday.

DeLois Barrett Campbell & the Barrett Sisters, “Precious Lord, Take My Hand,” live, 1983

Vodpod videos no longer available.

More? Here. And here. And here.

More “Precious Lord”? Here (Aretha Franklin at 14). And here (composer Thomas A. Dorsey).

Saturday, 3/12/11

Have you heard of Brandt Brauer Frick?

Rachael Z., the 20-something stylist who cuts my hair

The Brandt Brauer Frick Ensemble, live (rehearsal), Germany (Berlin), 2010

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lagniappe

reading table

Teenager

Me — a teenager?
If she suddenly stood, here, now, before me,
would I need to treat her as near and dear,
although she’s strange to me, and distant?

Shed a tear, kiss her brow
for the simple reason
that we share a birthdate?

So many dissimilarities between us
that only the bones are likely still the same,
the cranial vault, the eye sockets.

Since her eyes seem a little larger,
her eyelashes are longer, she’s taller
and the whole body is closely sheathed
in smooth, unblemished skin.

Relatives and friends still link us, it is true,
but in her world almost all are living,
while in mine almost no one survives
from that shared circle.

We differ so profoundly,
talk and think about completely different things.
She knows next to nothing —
but with a doggedness deserving better causes.
I know much more —
but nothing for sure.

She shows me poems,
written in a clear and careful script
that I haven’t used for years.

I read the poems, read them.
Well, maybe that one
if it were shorter
and fixed in a couple of places.
The rest do not bode well.

The conversation stumbles.
On her pathetic watch
time is still cheap and unsteady.
On mine it’s far more precious and precise.

Nothing in parting, a fixed smile
and no emotion.

Only when she vanishes,
leaving her scarf in her haste.

A scarf of genuine wool,
in colored stripes
crocheted for her
by our mother.

I’ve still got it.

—Wislawa Szymborska (trans. Clare CavanaghStanisław Barańczak; Here [2010])

*****

five desert-island poets

Wislawa Szymborska

William Bronk

John Berryman

Emily Dickinson

Kobayashi Issa

Friday, 3/11/11

Don’t try to tell me there’s anything incongruous—anything at all—in loving Beethoven and loving Chopin and loving Del Shannon.

Del Shannon, December 30, 1934-February 8, 1990

“Runaway” (with Burton Cummings [Guess Who], piano), 1982

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“I Go To Pieces,” 1988 (?)

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“Sea of Love,” 1982

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lagniappe

mail

One of the best ever [Ornette Coleman, 3/9/11].

I am so glad I am on this list!!

Thursday, 3/10/11

Happy (108th) Birthday, Bix!

God the poet, the master of metaphor, wanting to comment on what a big, open, unruly country this is, put the birthdays of Ornette Coleman, born in 1930 in Fort Worth, Texas, and Bix Beiderbecke, born in 1903 in Davenport, Iowa, back to back.

Bix Beiderbecke, cornet, with Frankie Trumbauer and His Orchestra
“I’m Coming, Virginia,” “Way Down Yonder In New Orleans,” 1927

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lagniappe

Speaking of Bix’s playing, Louis Armstrong said:

Those pretty notes went right through me.

*****

. . . “I’m Coming, Virginia” became the most beautiful thing in my life . . . The coherence of its long Bix solo still provides me with a measure of what popular art should be like: a generosity of effects on a simple frame. The melodic line is particularly ravishing at its points of transition: there are moments when even a silent pause is a perfect note, and always there is a piercing sadness to it, as if the natural tone of the cornet, the instrument of reveille, were the first sob before weeping.

—Clive James, London Times, 5/16/07

*****

radio

Yesterday, at WKCR-FM (broadcasting from Columbia University), it was all Ornette all day; today it’s Bix. (Listening to so much Ornette seems to have rearranged my brain cells—permanently, I hope.)

(Some of this was previously posted on Bix’s last birthday.)

Wednesday, 3/9/11

Happy (81st) Birthday, Ornette!

His sound—his whole approach (simple melodies, vocal phrasing, off-center intonation)—is drenched in the blues.

Ornette Coleman (alto saxophone) with The Roots
Live, London (Meltdown Festival), 2009

#1

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#2

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The tenor player at the end—that’s David Murray.

More Ornette? Here.

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lagniappe

radio

What am I listening to today?

That’s easy—WKCR-FM (broadcasting from Columbia University), where it’s all Ornette all day.