music clip of the day

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Tag: music clip of the day

Tuesday, 3/6/12

These folks I could listen to all day—tomorrow too.

Afel Bocoum & Alkibar, live, Netherlands (Hertme), 2010

Part 1

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Part 2

Sunday, 3/4/12

going back home

Davis Sisters, “I Believe I’ll Go Back Home”
TV Gospel Time (introduced by Brother Joe May), early 1960s

More? Here. And here.

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lagniappe

Here’s a secular take.

John Lee Hooker, “I Believe I’ll Go Back Home” (That’s My Story: John Lee Hooker Sings The Blues, 1960)

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reading table

Home is never what you think it is.

Meaning lies in meaning’s absence. The mist
Is always just about to lift.

—J. Allyn Rosser, “Sugar Dada” (excerpt)

Saturday, 3/3/12

only rock ’n roll

A lot of early rockers recorded in Memphis, in the 1950s, for Sam Phillips’ Sun Records. Some, like Elvis, became famous. Others, like this guy, didn’t.

Malcolm Yelvington, It’s Me Baby (1997)

Vodpod videos no longer available.

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“Drinkin’ Wine Spodee-O-Dee” (Sun 1954)

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“Rockin’ With My Baby” (Sun 1956)

Friday, March 2, 2012

only rock ’n’ roll

Elvis Presley (with Scotty Moore, guitar), TV shows, 1956

“Money Honey”

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“Heartbreak Hotel”

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“I Got A Woman”

Thursday, 3/1/12

sounds of joy

Sex Mob,* live, New York (Iridium), 2004

Part 1

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Part 2

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Part 3

*Steven Bernstein, slide trumpet; Briggan Krauss, alto saxophone; Tony Scherr, bass; Kenny Wollesen, drums

Wednesday, 2/29/12

keep on dancing

Moodymann, “The Day We Lost The Soul”/ “Tribute! (To The Soul We Lost),” 1995

*****

Theo Parrish, “The Love I Lost” (Re-edit of Harold Melvin & the Blue Notes), 2003

More Theo? Here. And here. And here. And here.

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lagniappe

musical thoughts

Dance music holds out the hope, as the beat goes on, and on, and on, that nothing will be lost. Ever. But then it, too, ends.

Tuesday, 2/28/12

basement jukebox*

Lee Moses, singer & guitarist, 1941-1997

“Bad Girl” (1967)

Part 1

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Part 2

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“Diana (From N.Y.C.)” (1971)

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*When I was little, a big bright jukebox lit up our basement. Daily it granted our every wish, communicated with just the touch of a finger. “Wake Up Little Susie” (Everly Brothers). “The Battle of New Orleans” (Johnny Horton). “(The Man Who Shot) Liberty Valance” (Gene Pitney). It taught me something I never forgot—music is magic.

Monday, 2/27/12

protean, adj. 1. Of or resembling Proteus in having a varied nature or ability to assume different forms. 2. Displaying great diversity or variety. E.g., Miles Davis.

Miles Davis Quintet (MD, trumpet; Wayne Shorter, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums), “I Fall In Love Too Easily,” live, Germany (Karlsruhe), 1967

More? Here. And here. And here.

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lagniappe

last night

There’s something in nothing, and we’ll never know what it is.

—Susan Howe, poet, after a performance of Frolic Architecture with composer and musician David Grubbs at the University of Chicago’s Bond Chapel

Sunday, 2/26/12

Today let’s leave Chicago, where the longest season, it sometimes seems, is not-yet-spring, and head south—to a little church in a small town in Georgia.

Pilgrim Rest Primitive Baptist Church, Oglethorpe, Georgia, 12/17/11

Anything can be used to make music—even a book (7:57-).

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lagniappe

musical thoughts

The passion for music is itself an admission. We know more about a stranger who abandons himself to it than about someone indifferent to it whom we deal with every day.

—E. M. Cioran, Anathemas and Aphorisms (translated from French by Richard Howard, 1991)

Saturday, 2/25/12

only rock ’n’ roll

flashback, n. 1. An unexpected recurrence of the effects of a hallucinogenic drug long after its original use. 2A vivid memory that arises spontaneously or is provoked by an experience. 3An experience that has characteristics of an earlier experience. 

Rubble, live, Austin (Room 710), c. 2005