Matt Wilson’s Arts & Crafts* (Sunday, 3:30 p.m.)
“We See” (T. Monk), live, New York, 2011
(Paul Motian, this guy—drummers seem to have a particular feeling for Monk.)
*****
Steve Coleman and Five Elements** (Sunday, 7:10 p.m.)
Live, New York, 2010
*****
Ken Vandermark’s Made To Break Quartet*** (Sunday, 2:20 p.m.)
Live, Barcelona, 2011
*****
*MW, drums; Terell Stafford, trumpet; Gary Versace, piano; Martin Wind, bass.
**SC, alto saxophone; Jonathan Finlayson, trumpet; Tim Albright, trombone; Miles Okazaki, guitar; David Virelles, piano; Thomas Morgan, bass; Marcus Gilmore, drums.
Leonard Cohen, “Everybody Knows,” live, London, 2008
**********
lagniappe
talking (Canadian TV, 1997)
(Yeah, the interviewer is often obnoxious; but, despite [because of?] that, this is one of the more intriguing “celebrity interviews” I’ve heard.)
*****
reading table
Returning To My Cottage
by Wang Wei (699-759 [trans. David Young])
A bell in the distance
the sound floats
down the valley
one by one
woodcutters and fishermen
stop work, start home
the mountains move off
into darkness
alone, I turn home
as great clouds beckon
from the horizon
the wind stirs delicate vines
and water chestnut shoots
catkin fluff sails past
in the marsh to the east
new growth
vibrates with color
it’s sad
to walk in the house
and shut the door.
*****
radio: 72 hours of Pres & Bird
Celebrating the birthdays of Lester Young (8/27) and Charlie Parker (8/29), WKCR-FM(broadcasting from Columbia University) will be playing their music all day today, tomorrow, and Wednesday.
“Thank You (Falettinme Be Mice Elf Again),” TV Show (Soul Train), 1974
*****
“In Time,” Fresh, 1973
Jazz legend Miles Davis was so impressed by the song “In Time” . . . that he made his band listen to the track repeatedly for a full 30 minutes. Composer and music theorist Brian Eno cited Fresh as having heralded a shift in the history of recording, “where the rhythm instruments, particularly the bass drum and bass, suddenly [became] the important instruments in the mix.”
Music, for some people, is no less vital than oxygen.
James Rhodes, talking and playing (2010)
**********
lagniappe
reading table
To Praise the Music
by William Bronk (1918-1999)
Evening. The trees in late winter bare
against the sky. Still light, the sky.
Trees dark against it. A few leaves
on the trees. Tension in their rigid branches as if
–oh, it is all as if, but as if, yes,
as if they sang songs, as if they praised.
Oh, I envy them. I know the songs.
As if I know some other things besides.
As if; but I don’t know, not more
than to say the trees know. The trees don’t know
and neither do I. What is it keeps me from praise?
I praise. If only to say their songs,
say yes to them, to praise the songs they sing.
Envied music. I sing to praise their song.
(Want to hear Bronk, a MCOTD Hall of Famer, read this? Here.)
*****
art beat: more from Tuesday’s stop at the Art Institute of Chicago