Duke Ellington Orchestra, Bunny Briggs (dance), Jon Hendricks (vocal), “David Danced Before the Lord with All His Might,” live, San Francisco (Grace Cathedral), 1965
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lagniappe
reading table
And David danced before the Lord with all his might . . .
Elliott Carter (December 11, 1908-), Esprit Rude/Esprit Doux (1985); Claire Chase (flute),* Joshua Rubin (clarinet), International Contemporary Ensemble; live, Brazil (Sao Paulo), 2012
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lagniappe
musical thoughts
The “opportunity cost” of listening to something you already know, to borrow from the dreary world of economics, is that you’re forgoing an opportunity to discover something new.
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found words
Last night, after a concert at the University of Chicago’s Mandel Hall (Takacs Quartet), I stopped at Harold’s Chicken Shack on 53rd Street, as much for old times’ sake as anything else (Harold got me through law school), and found this at the bottom of the receipt:
The other night my son Alex took me—this was my Christmas present—to see this guy at a small concert hall on the north side of Chicago (Old Town School of Folk Music). We’d last seen him together 20 years ago, in 1992, at a little club not far from where we live (FitzGerald’s). Alex wasn’t even five years old. It was an early evening set, part of a big Fourth of July festival. The night was stormy. The power went out. He played by candlelight.
Ravi Coltrane (JC’s son), tenor saxophone; Matt Garrison, bass (son of Coltrane bassist Jimmy Garrison); Nikki Glaspie, drums; live (Le Poisson Rouge), New York, 1/7/12
Questlove (:10-) & Tony Allen (1:25-), live, Paris, 2011
What a contrast. Questlove, focusing on power and momentum, pushes the beat. Tony lies behind it, skips ahead, lies back again, favoring suppleness and elasticity.