music clip of the day

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Tag: music clip of the day

Monday, 11/19/12

Albert Collins (1932-1993), “Lights Are On But Nobody’s Home,” live, Austin, Tx., 1988

How strange to think that Albert, a sweet, warm, gentle guy I had the good fortune to work with in the ’70s while at Alligator Records, has been gone nearly 20 years.

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lagniappe

musical thoughts

There’s one cat I’m still trying to get across to people. He is really good, one of the best guitarists in the world.

Jimi Hendrix (1968)

Sunday, 11/18/12

Where classical music, as we heard the other day (remembering Elliott Carter), has the concerto, gospel has the soloist and choir.

Jennifer Hudson & Chapter 2 Gospel Singers, “Changed” (W. Hawkins)
Live, New York (Harlem), 2005

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lagniappe

reading table

Deep autumn—
my neighbor,
how does he live, I wonder?

—Matsuo Basho, 1644-1694 (translated from Japanese by Robert Hass)

Saturday, 11/17/12

My heaven, I said the other day, is full of string quartets—dancers, too.

New York City Ballet, 2012

Friday, 11/16/12

only rock ’n’ roll

Metz, “Wasted”

Recording (Metz, Sub Pop), 10/12

***

Live, Canada (Sackville), 8/3/12

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lagniappe

musical thoughts

Rock ’n’ roll.

R&B.

Jazz.

Whatever their differences, they’ve got something in common.

Nobody’s more important than the drummer. 

If the drums aren’t happening, nothing is.

*****

reading table: passings

“The Forgotten Dialect of the Heart”

How astonishing it is that language can almost mean,
and frightening that it does not quite. Love, we say,
God, we say, Rome and Michiko, we write, and the words
get it all wrong. We say bread and it means according
to which nation. French has no word for home,
and we have no word for strict pleasure. A people
in northern India is dying out because their ancient
tongue has no words for endearment. I dream of lost
vocabularies that might express some of what
we no longer can. Maybe the Etruscan texts would
finally explain why the couples on their tombs
are smiling. And maybe not. When the thousands
of mysterious Sumerian tablets were translated,
they seemed to be business records. But what if they
are poems or psalms? My joy is the same as twelve
Ethiopian goats standing silent in the morning light.
O Lord, thou art slabs of salt and ingots of copper,
as grand as ripe barley lithe under the wind’s labor.
Her breasts are six white oxen loaded with bolts
of long-fibered Egyptian cotton. My love is a hundred
pitchers of honey. Shiploads of thuya are what
my body wants to say to your body. Giraffes are this
desire in the dark. Perhaps the spiral Minoan script
is not language but a map. What we feel most has
no name but amber, archers, cinnamon, horses, and birds.

*****

“By Small and Small: Midnight to Four A.M.”

For eleven years I have regretted it,
regretted that I did not do what
I wanted to do as I sat there those
four hours watching her die. I wanted
to crawl in among the machinery
and hold her in my arms, knowing
the elementary, leftover bit of her
mind would dimly recognize it was me
carrying her to where she was going.

—Jack Gilbert, February 18, 1925-November 11, 2012

Thursday, 11/15/12

keep on dancing

Theo Parrish, Detroit-based DJ/producer

“Smile,” 1997

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Talking music (record digging, technology, DJing, etc.), 2012

Wednesday, 11/14/12

alone

Chris “Daddy” Dave (Chris Dave Trio), live, Japan (Osaka), 2010

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lagniappe

musical thoughts

If we are what we listen to, what are you?

Tuesday, 11/13/12

passings

Ted Curson, trumpeter, composer, June 3, 1935-November 4, 2012

“L.S.D. Takes a Holiday” (T. Curson), live, Paris, 1973

******

With Charles Mingus, “Better Git Hit In Your Soul,” Mingus at Antibes (recorded live 1960)*

*****

“Tears for Dolphy” (T. Curson), 1964

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*CM (bass, piano), Ted Curson (trumpet), Eric Dolphy (alto saxophone), Booker Ervin (tenor saxophone), Dannie Richmond (drums).

Monday, 11/12/12

How could one not be hopeful knowing this clip’s been viewed, as of today, over 700 million times?

PSY (AKA Park Jae-sang), “Gangnam Style,” 7/12

*****

Here’s another take.

Ai Weiwei (Chinese artist and dissident), 10/12

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lagniappe

 found words

Caution—the moving walkway is ending.

—yesterday, Midway Airport (Chicago), returning from an aunt’s memorial service

Sunday, 11/11/12

two takes

Whatever it is, this guy’s got it.

Isaiah Owens, “You Without Sin Cast the First Stone”

Recording, 2004

*****

Live (with talk), New York, 2004 (trailer, Pray and Get Ready, scheduled for 2013 release)

Saturday, 11/10/12

Last Sunday I had one of the great musical afternoons—one of the great afternoons, period—of my life, listening, at Chicago’s Symphony Center (across from the Art Institute), to pianist Andras Schiff play Bach’s Well-Tempered Clavier, Book II, in its entirety (and entirely from memory), a performance that lasted nearly three hours and could’ve kept going, as far as I was concerned, for three days.

Johann Sebastian Bach, The Well-Tempered Clavier (1722 [Book I], 1742 [Book II])

Book II, Prelude and Fugue No. 16 in G minor, BMV 885
Sheng Cai (piano), live, Boston, 2010

*****

Books I and II, Sviatoslav Richter (piano), recording, 1970s

(For better sound quality on this and other YouTube clips, go to the “Settings” icon [lower right] and select the highest available [here 1080p].)

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lagniappe

musical thoughts

If there is anyone who owes everything to Bach, it is God. Without Bach, God would be a third-rate character.

Emil Cioran