old school
Stevie Wonder, live (TV show), Germany, 1974
It doesn’t take long, sometimes, to realize how strong something is. With this, for instance, I could listen all day, happily, to a loop of the first ninety seconds.
Offstage she may be quiet, even shy. Onstage? That’s a different story: she’s filled with the Spirit.
Chicago Mass Choir (feat. Pam Crawford), “He’s Gonna Work It Out”
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lagniappe
radio
Today, his 112th birthday, it’s all Louis Armstrong all day at WKCR-FM (Columbia University).
alone
John Cage (1912-1992), Sonatas and Interludes for Prepared Piano (1946-1948); Louis Goldstein, piano, live, Winston-Salem, N.C. (Reynolda House Museum of American Art), 1982
What I love about this performance is its directness. He doesn’t treat these pieces as arty exotica. He plays them as simply and naturally, as musically, as one might play Bach, or Mozart, or Chopin.
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lagniappe
musical thoughts
I remember loving sound before I ever took a music lesson. And so we make our lives by what we love.
***
A sound does not view itself as thought, as ought, as needing another sound for its elucidation, as etc.; it has not time for any consideration–it is occupied with the performance of its characteristics: before it has died away it must have made perfectly exact its frequency, its loudness, its length, its overtone structure, the precise morphology of these and of itself.
***
They say, “you mean it’s just sounds?” thinking that for something to just be a sound is to be useless, whereas I love sounds just as they are, and I have no need for them to be anything more than what they are. I don’t want them to be psychological. I don’t want a sound to pretend that it’s a bucket or that it’s president or that it’s in love with another sound. I just want it to be a sound.
old school
James Brown and The Famous Flames, “Out of Sight”
Live (T.A.M.I. Show), 1964
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lagniappe
reading table
Here’s a cheery thought for the end of the week.
In life, there are no happy endings.
last night
I heard these guys at a small Chicago club (Hideout)—what a storm.
Peter Brötzmann (reeds), Ken Vandermark (reeds), Hamid Drake (drums), Chad Taylor (drums), live, Slovenia (Ljubljana), 7/3/13
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lagniappe
musical thoughts
When our minds are filled with music, they’re free of everything else.
More sounds from the shadows.
György Kurtág (1926-), 12 Microludes for String Quartet (Hommage à Mihály András) (1978), Maxwell Quartet, live, Scotland (Argyllshire), 2012
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lagniappe
reading table
“Chartres”
By George Oppen (1908-1984)The bulk of it
In airIs what they wanted. Compassion
Above the doors, the doorwaysMary the woman and the others
The lesserAre dreams on the structure. But that a stone
Supports anotherThat the stones
Stand where the masons locked themAbove the farmland
Above the willBecause a hundred generations
Back of them and to another peopleThe world cried out above the mountain
alone
Ran Blake (1935-), “Over the Rainbow” (H. Arlen & E. Harburg), live, Portugal (Lisbon), 2010
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lagniappe
reading table
Even in Kyoto—
hearing the cuckoo’s cry—
I long for Kyoto.—Matsuo Basho (1644-1694; translated from Japanese by Robert Hass)
passings
J.J. Cale, singer, songwriter, guitarist, December 5, 1938-July 26, 2013
Today, remembering him, we revisit an earlier post.
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What was it like growing up in the 1950s in the lonesome state of Oklahoma?
Leon Russell knows.
So does this guy.
J.J. Cale (with Eric Clapton), “After Midnight” (J. Cale), live, Dallas, 2004
Who supplies the juice here?
It ain’t the guitar god from England.
It’s the grizzled guitar player from the state with the funny shape (:38-1:12, 1:41-44, 2:14-48, 3:36-50, 4:20-44).
(Originally posted 11/1/10.)
fire
Boyd Rivers & Ruth May Rivers, “Fire in My Bones,” live, Canton, Miss., 1978
making a joyful noise
Evangelist Rosie Haynes (alto saxophone, vocals), “Because He Lives,” live, Milwaukee, 2005
#1
#2
*****
taking a break
I’m taking some time off—back in a while.
music clip of the day 