No matter what she’s playing, she seems never to touch the ground.
Maurice Ravel (1875-1937), Piano Concerto in G (1929-31); RAI National Symphony Orchestra (Claudio Abbado, cond.) with Martha Argerich (piano), live, Rome, 1969
1. Dreamland
2. Monk’s Mood (Version 1)
3. Thelonious
4. Reflections
5. Epistrophy
6. Round Midnight
7. Crepuscule With Nellie
8. Ugly Beauty
9. Monk’s Mood (Version 2)
10. Don’t Blame Me
11. Coming On The Hudson
12. Nice Work If You Can Get It
Morton Feldman (1926-1987), Palais de Mari (1986); Blair McMillen (piano) & Ryan Olivier (video processing), live, Philadelphia, 2014
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lagniappe
musical thoughts
My obsession with surface is the subject of my music. In that sense, my compositions are really not ‘compositions’ at all. One might call them time canvases in which I more or less prime the canvas with an overall hue of the music.
—Morton Feldman, “Between Categories” (Give My Regards to Eighth Street)
Miles Davis Septet,* “Yesternow,” live, Norway (Oslo), 1971
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lagniappe
art beat
Lee Friedlander (1934-), Japan (Hiroshima), 1984
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*MD (trumpet), Gary Bartz (alto saxophone), Keith Jarrett (keyboards), Michael Henderson (bass), Leon Chandler (drums), Don Alias (percussion), James “Mtume” Forman (percussion).