music clip of the day

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Tag: music clip of the day

Wednesday, February 4th

sounds of Mali (day two)

Trio Da Kali and Kronos Quartet, “Diaraby,” live, University of Maryland, 2014

Tuesday, February 3rd

sounds of Mali (day one)

Africa Express, “Terry Riley’s in C Mali,” 2013-15

 

I am overwhelmed and delighted by this CD. I was not quite prepared for such an incredible journey, hearing the soul of Africa in joyous flight over those 53 patterns of ‘In C’. This ensemble feeds the piece with ancient threads of musical wisdom and humanity indicating to me that this work is a vessel ready to receive and be shaped by the spontaneous feelings and colours of the magician/musician. I could not ask for a greater gift for this daughter’s 50th birthday.

Terry Riley (1935-)

Sunday, February 1st

old school

Soul Stirrers, “He’s Been a Shelter to Me”  (Paul Foster, lead vocal), “I’m a Soldier” (Jimmy Outler, lead vocal), live (TV show), early 1960s


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lagniappe

reading table

When you’re playing baseball, on that field, it’s like your whole life, it’s your world and you don’t want to leave it. It was such a joy to be there, to be able to make decisions on your own: when to swing, when not to swing; when to run, when not to run. I felt this is the only place in the world where I could make my own decisions.

Ernie Banks (1931-2015)

Saturday, January 31st

only rock ‘n’ roll

The Avantist, “Ramses,” live (studio performance), Hickory Hills, Ill., 2014


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lagniappe

reading table

I am obliged to perform in complete darkness
operations of great delicacy
on my self.

—John Berryman (1914-1972, MCOTD Hall of Fame), Dream Song 67

Friday, January 30th

string quartet festival (day five)

Maurice Ravel (1875-1937), String Quartet in F major (1903); Hagen Quartet, live, Austria (Salzburg), 2000

1st movt.

2nd movt.

3rd movt.

4th movt.

Thursday, January 29th

string quartet festival (day four)

Dmitri Shostakovich (1906-1975), String Quartet No. 8 in C minor (1960); Borodin Quartet, live

Wednesday, January 28th

string quartet festival (day three)

Bela Bartok (1881-1945), String Quartet No. 6, 1939; Alban Berg Quartet, live

1st movt.

 

2nd movt.

 

3rd movt./part 1

 

3rd movt./part 2

 

4th movt.


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lagniappe

reading table

Everything always reminds one of its opposite.

—Robert Walser (1878-1956), “Snowdrops” (translated from German by Tom Whalen and Trudi Anderegg)

Tuesday, January 27th

string quartet festival (day two)

Back to the beginning—the “father” of the string quartet.

Josef Haydn (1732-1808), String Quartet in C-major, Op. 76, No. 3 (“Emperor”), c. 1796; St. Lawrence String Quartet, live, Houston, 2014

Monday, January 26th

string quartet festival (day one)

Ludwig van Beethoven (1770-1827), String Quartet No. 14 (Op. 131, C-sharp minor), 1826

Alban Berg Quartet, live, Vienna, 1989

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Végh Quartet, recording, 1952

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Budapest String Quartet, recording, 1951

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lagniappe

musical thoughts

Opus 131 . . . is routinely described as Beethoven’s greatest achievement, even as the greatest work ever written. Stravinsky called it ‘perfect, inevitable, inalterable.’ It is a cosmic stream of consciousness in seven sharply contrasted movements, its free-associating structure giving the impression, in the best performances, of a collective improvisation. At the same time, it is underpinned by a developmental logic that surpasses in obsessiveness anything that came before. The first four notes of the otherworldly fugue with which the piece begins undergo continual permutations, some obvious and some subtle to the point of being conspiratorial. Whereas the Fifth Symphony hammers at its four-note motto in ways that any child can perceive, Opus 131 requires a lifetime of contemplation. (Schubert asked to hear it a few days before he died.)

—Alex Ross, “Deus Ex Musica,” New Yorker, 10/20/14

Sunday, January 25th

old school

The Consolers (Iola & Sullivan Pugh), live (TV show), early 1960s


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lagniappe

art beat

Bruce Davidson (1933-), New York (Subway), 1980s

artwork_images_911_240563_bruce-davidson

 

 

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