Friday, November 13th
Nothing hits harder than vulnerability.
Frazey Ford, “You’re Not Free,” “September Fields,” “Three Golden Trees,” “Done,” live (studio performance), Seattle, 2014
Nothing hits harder than vulnerability.
Frazey Ford, “You’re Not Free,” “September Fields,” “Three Golden Trees,” “Done,” live (studio performance), Seattle, 2014
Claude Debussy (1862-1918), Preludes, Book 1, Nos. 1-7, 9-11; Sviatoslav Richter (1915-1997), piano, live
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I am not a complete idiot, but whether from weakness or laziness have no talent for thinking. I know only how to reflect: I am a mirror . . . Logic does not exist for me. I float on the waves of art and life and never really know how to distinguish what belongs to the one or the other or what is common to both. Life unfolds for me like a theatre presenting a sequence of somewhat unreal sentiments; while the things of art are real to me and go straight to my heart.
passings
Allen Toussaint, songwriter, arranger, producer, singer, pianist, January 14, 1938-November 10, 2015
“Tipitina and Me,” 2005 (Our New Orleans)
One-word review: Wow!
Nicole Mitchell’s Sonic Projections (NM, flute; David Boykin, tenor saxophone; Craig Taborn, piano; Chad Taylor, drums), live, New York, 2014
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lagniappe
art beat: Sunday at the Art Institute of Chicago
Alfred Stieglitz (1864-1946), An Icy Night, New York, 1898 (Alfred Stieglitz and the 19th Century, through 3/27/16)
regal, adj. Characteristic of or resembling a monarch; splendid, magnificent, stately; distinguished. E.g., Mahalia Jackson.
Mahalia Jackson (1911-1972), “These Are They,” live (TV show), 1956 (Rejoice and Shout [2010], commentary by Smokey Robinson and Anthony Heilbut)
sounds of India
If I could sing like this, I’d never close my mouth.
Shankar Mahadevan (vocals) & Zakir Hussain (percussion), live, India, 2014
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lagniappe
reading table
spreading wide my narrow Hands / To gather Paradise –
—Emily Dickinson (1830-1886), #466 (Franklin)