Saturday, December 20th
alone
Georg Friedrich Haas (1953-), Hommage a Steve Reich (1982)
Hans Ludemann (piano), live, Germany (Cologne), 2012
Each time I listen to this, it sounds different.
alone
Georg Friedrich Haas (1953-), Hommage a Steve Reich (1982)
Hans Ludemann (piano), live, Germany (Cologne), 2012
Each time I listen to this, it sounds different.
lucid, adj. translucent, pellucid, clear. E.g., Steve Reich’s Music for 18 Musicians.
Steve Reich (1936-), Music for 18 Musicians (1974-76)
Ensemble Intercontemporain with Synergy Vocals, live, Paris, 2014
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lagniappe
reading table
the door latch
rusting scarlet . . .
winter rain—Kobayashi Issa (1763-1827), translated from Japanese by David G. Lanoue
*****
random sights
this morning, Chicago (Columbus Park)
more
Johann Sebastian Bach (1685-1750), The Art of Fugue (excerpts)
Glenn Gould (1932-1982), piano
sweet soul music
D’Angelo & The Vanguard, “Ain’t That Easy”
Live, Netherlands (Rotterdam), 2015
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lagniappe
musical thoughts
Like music, baseball is the universal language.
Has anyone played Bach—or anything else—more searchingly?
Johann Sebastian Bach (1685-1750), Partita No. 4 in D major
Glenn Gould (1932-1982), piano
#1
#2
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lagniappe
reading table
Musicians wrestle everywhere –
—Emily Dickinson (1830-1886), #229 (Franklin)
This I turned to late yesterday afternoon, amidst darkness and rain and news of a neighbor’s terminal illness. I’ve been living with this piece for forty-some years, and it has never let me down—never failed, whatever the circumstances, to make life seem lighter, brighter, more porous, more spacious. Never.
Johann Sebastian Bach (1685-1750), Suite No. 1 in G major for Unaccompanied Cello; Mischa Maisky, cello
what’s new
Joanna Newsom, “Leaving the City,” live (TV show), 12/8/15