music clip of the day

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Tag: music clip of the day

Tuesday, April 26th

14 strings + drums

Tomeka Reid Quartet (TR, cello, compositions; Mary Halvorson, guitar; Jason Roebke, bass; Tomas Fujiwara, drums), live, New York, 3/8/16


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lagniappe

random sights

yesterday, Chicago (Columbus Park)

FullSizeRender (70)

Monday, April 25th

Thank God—or Whatever—for the Unfamiliar.

Mark Barden (1980-), Nocturne (2013); Mivos Quartet, live, New York, 2013

Sunday, April 24th

two takes

“Trouble Will Soon Be Over”

Blind Willie Johnson, 1930


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Sinead O’Connor, 2016 (God Don’t Never Change: The Songs of Blind Willie Johnson)


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lagniappe

random sights

this morning, Chicago (Columbus Park)

FullSizeRender (69)

 

Saturday, April 23rd

passings

Lonnie Mack, guitarist, singer, songwriter, July 18, 1941-April 21, 2016

“Memphis” (C. Berry), 1963


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“She Don’t Come Here Anymore,” 1966


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“Farther on Down the Road,” live (with Albert Collins, Roy Buchanan), New York (Carnegie Hall), 1985

Friday, April 22nd

passings

Prince, singer, songwriter, master of all (musical) trades, June 7, 1958-April 21, 2016

Today, remembering him, we revisit a post from last year.

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With all he does, this can get lost: on guitar, he’s a killer.

Cee Lo Green, “Crazy,” live (with Prince, guitar), New York, 2011


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Stevie Wonder, “Superstition,” live (with Prince, guitar), Paris, 2010


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lagniappe

reading table

I am alive—I guess—

—Emily Dickinson (1830-1886), #605 (Franklin), first line

Thursday, April 21st

what’s new

Vijay Iyer (keyboards), Wadada Leo Smith (trumpet), A Cosmic Rhythm With Each Stroke, 2016


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“Passages”


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lagniappe

random sights

this morning, Oak Park, Ill.

FullSizeRender (67)

Wednesday, April 20th

More.

Henry Threadgill’s Society Situation Dance Band
Live, Germany (Hamburg), 1988

#1


#2


#3


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Henry Threadgill and His Very Very Circus
“Too Much Sugar for a Dime,” live, New York, 1995


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lagniappe

random sights

this morning, Oak Park, Ill.

FullSizeRender (66)

Tuesday, April 19th

MCOTD Hall of Famer—and, as of yesterday, Pulitzer Prize Winner.

Henry Threadgill’s Zooid

Live, Poland (Warsaw), 2011


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Live, New York, 2013


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Live, Washington, D.C., 2013


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lagniappe

musical thoughts

All music is classical music, you know. I don’t put up boundaries on music.

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Of course I started out in an ethnic community, with the blues and church music and jazz. But that was just one place to start. You read fiction then you start reading nonfiction! You start reading biographies and scientific accounts. It doesn’t change where you came from. It just broadens it. That’s what we do, we keep building on the foundation where we come from. You don’t lose it, you just keep building on it.

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I think we’ve gotten used to the dissonant, so it’s not even dissonant any more.

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[W]e have no control over anything but what we do. I just try to stay hopeful: I don’t want to get too pessimistic about anything.

—Henry Threadgill, The Guardian, 4/18/16

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the beat goes on

2,300 posts—and counting.

Monday, April 18th

Feel like floating?

Music for Airports, “1/1” (B. Eno, R. Davies, R. Wyatt), 1978; Bang on a Can All-Stars, live (arr. Michael Gordon), San Diego Airport, 2015


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lagniappe

reading table

To a Snail
By Marianne Moore (1887-1972)

If “compression is the first grace of style,”
you have it. Contractility is a virtue
as modesty is a virtue.
It is not the acquisition of any one thing
that is able to adorn,
or the incidental quality that occurs
as a concomitant of something well said,
that we value in style,
but the principle that is hid:
in the absence of feet, “a method of conclusions”;
“a knowledge of principles,”
in the curious phenomenon of your occipital horn.

Sunday, April 17th

back to church

Campbell Brothers, live


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lagniappe

random sights

this morning, Oak Park, Ill.

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