sounds of Chicago
Windy City Spiritualaires with Willie Clayton, “Prove It,” live, Birmingham, Ala., 2000
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lagniappe
art beat: other day, Art Institute of Chicago
Aaron Siskind (1903-1991), Glouchester 1H 1944 (Abstractions, through 8/14/16)
three takes
Wolfgang Amadeus Mozart (1756-1791), Piano Sonata No. 8 in A minor
Sviatoslav Richter (1915-1997), live
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#2
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Artur Schnabel (1882-1951), 1939
#1
#2
#3
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Dinu Lipatti (1917-1950), live, France (Besancon), 1950
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The A minor sonata is the first of only two Mozart piano sonatas in a minor key . . . It was written in one of the most tragic times of his life: his mother had just died.
what’s new
Filastine, “The Cleaner,” released yesterday
sounds of Sweden
Klara Lewis, live, England (Gateshead), 2015
Unfailing clarity, lyricism—how apt to hear him shortly after Mozart.
Sonny Rollins, live (“On Green Dolphin Street,” “St. Thomas,” “Four”), Denmark, 1968*
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lagniappe
reading table
dripping from the flower vendor’s
display
morning dew—Kobayashi Issa, 1763-1828 (translated from Japanese by David G. Lanoue)
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*With Kenny Drew (piano), Niels-Henning Orsted Pedersen (bass), Albert “Tootie” Heath (drums).
sounds of Morocco
Mourad Belouadi, “Mawama,” live, Morocco (M’hamid), 2014
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lagniappe
random thoughts
Note to self: Let your mind be occupied, fully, by the Other.
I love his approach to Mozart. He’s never fussy or mannered. He plays simply, directly—like a bird flying from tree to tree.
Wolfgang Amadeus Mozart (1756-1791), Piano Sonata No. 12 in F major (:07-), Fantasia in C minor (22:42-), Sonata No. 14 in C minor (39:54-); Friedrich Gulda (1930-2000), live, Germany (Munich), 1990
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lagniappe
musical thoughts
Mozart was a kind of idol to me—this rapturous singing . . . that’s always on the edge of sadness and melancholy and disappointment and heartbreak, but always ready for an outburst of the most delicious music.
—Saul Bellow (1915-2005)
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reading table
If, instead of the words ‘good’ or ‘right’ (or ‘sacred’) we use the words ‘beautiful’ or ‘pleasurable’ or ‘enlivening,’ . . . how would our lives be different?
—Adam Phillips, Unforbidden Pleasures (quoted in yesterday’s New York Times Book Review)
old school
Tommy Ellison & The Singing Stars, “I’m Not the Same Person,” live, Hempstead, N.Y., 2007
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lagniappe
reading table
I hear a river thro’ the valley wander
Whose water runs, the song alone remaining.—Trumbull Stickney (1874-1904), “Dramatic Fragments,” excerpt
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random sights
yesterday morning, Chicago (Columbus Park)
If I learned I had a week to live, one afternoon, sunlight streaming through the windows, I’d listen to Mozart.
Wolfgang Amadeus Mozart (1756-1791), Adagio in B minor, K. 540
Mitsuko Uchida, live
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lagniappe
art beat: other day, Art Institute of Chicago
Vincent van Gogh (1853-1890), Entrance to the Public Gardens at Arles, 1888
(Taking a break—back in a while.)
more Prince
“I Wanna Be Your Lover,” live, Capitol Theatre (Passaic, N.J.), 1982
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lagniappe
reading table
Whatever we’re dealing with catches us
in mid-reconsideration. It’s beautiful,
my lord, just not made to be repeated,
that’s all.***
It was a moment, what can I say.
—John Ashbery (1927-), Breezeway (2015), fragments (“A Breakfast Radish,” “Domani, Dopodomani”)
music clip of the day 