music clip of the day

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Tag: music clip of the day

Friday, December 30th

only rock ‘n’ roll

What a way to close out a life—with some of the strongest work of your career.

David Bowie (January 8, 1947–January 10, 2016), Blackstar (January 8, 2016)

“Lazarus”


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“Blackstar”

 

Thursday, December 29th

more

Johann Sebastian Bach (1685-1750), Cello Suite No. 6 in D major, excerpt (Sarabande); Paolo Pandolfo, viola da gamba


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lagniappe

radio

Bach Festival, WKCR-FM (see 12/22/16 post): Day Seven.

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random sights

this morning, Oak Park, Ill.

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Wednesday, December 28th

more

Johann Sebastian Bach (1685-1750), Goldberg Variations (excerpt); Glenn Gould (1932-1982), piano, live (studio performance), 1981

 

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lagniappe

radio

Bach Festival, WKCR-FM (see 12/22/16 post): Day Six.

Tuesday, December 27th

After all the holiday bustle, how about something that begins slowly, quietly?

Nikhil Banerjee (1931-1986), sitar (with Zakir Hussain [1951-; tabla], et al.), Raag Shyam Kedar, Raag Pilu, live, San Francisco, 1985


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lagniappe

art beat: other day, Art Institute of Chicago

Agnes Martin (1912-2004), Untitled #12 (detail), 1977

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Monday, December 26th

old white men

Rolling Stones, live, England (Glastonbury Festival), 2013


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lagniappe

art beat: other day, Art Institute of Chicago

Jackson Pollock (1912-1956), Number 17A (1948)

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The painting has a life of its own. I try to let it come through.

—Jackson Pollock

Saturday, December 24th

only rock ‘n’ roll

Hasil Adkins, “She Said” (H. Adkins), live, Westwood, Calif., mid-1990s


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Another take.

Cramps, live, Boston, 1983


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lagniappe

art beat: other day, Art Institute of Chicago

Willem de Kooning (1904-1997), Interchanged, 1955

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Wednesday, December 21st

sounds of New York

Pulverize the Sound (Peter Evans, trumpet; Tim Dahl, bass; Mike Pride, drums), live, New York, 2013


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lagniappe

reading table

Jackie Evancho, a 16-year-old singer who became famous after appearing on “America’s Got Talent,” announced last week that she would sing the national anthem at the inauguration.

“Andrea Bocelli Won’t Be Singing at the Trump Inauguration,” New York Times, 12/20/16

Tuesday, December 20th

sounds of New York

Charmaine Lee (vocal) & Nate Wooley (trumpet), live, New York, 11/20/16


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lagniappe

reading table

If novelists know anything it’s that individual citizens are internally plural: they have within them the full range of behavioral possibilities. They are like complex musical scores from which certain melodies can be teased out and others ignored or suppressed, depending, at least in part, on who is doing the conducting. At this moment, all over the world—and most recently in America—the conductors standing in front of this human orchestra have only the meanest and most banal melodies in mind. Here in Germany you will remember these martial songs; they are not a very distant memory. But there is no place on earth where they have not been played at one time or another. Those of us who remember, too, a finer music must try now to play it, and encourage others, if we can, to sing along.

—Zadie Smith, “On Optimism and Despair,” (“A talk given in Berlin on November 10 on receiving the 2016 Welt Literature Prize.”), New York Review of Books, 12/22/16 issue

Monday, December 19th

sounds of New York

Eli Keszler & So Percussion, “Archway,” New York, 2013


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lagniappe

reading table

“I shouldn’t have to see the pain, struggle and despair of homeless people to and from my way to work every day.”

—Daniel Duane, “The Tent Cities of San Francisco” (quoting Justin Keller), New York Times, 12/18/16

Sunday, December 18th

more

Joe Ligon (September 11, 1942-December 11, 2016) with the Mighty Clouds of Joy, “I Don’t Feel No Ways Tired” (J. Cleveland), live, Charleston, S.C., 1996