music clip of the day

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Tag: music clip of the day

Monday, November 14th

never enough 

Miles Davis (with Wayne Shorter, tenor saxophone; Herbie Hancock, piano; Ron Carter, bass; Tony Williams, drums), live, Italy (Milan), 1964*


Listening to Tony Williams never fails to leave me feeling lighter.

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lagniappe

art beat: other day, Art Institute of Chicago

Arshile Gorky (1904-1948), The Plough and the Song, 1946-47

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*Setlist (courtesy of YouTube):

1. Autumn Leaves 0:43
2. My Funny Valentine 14:34
3. All Blues 26:22
4. All of You 40:03
5. Joshua 50:41

Sunday, November 13th

old school

Gospelaires of Dayton, Ohio, “Feel the Spirit,” live, Europe, 1966


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lagniappe

random sights

this morning, Chicago (Columbus Park)

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reading table

Talk is a way of not looking.

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Nothing speaks for itself.

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Most of the people you know are almost mad.

—Ann Lauterbach (1942-), Many Times, But Then (1979), fragments (“Then Suddenly,” “The White Sequence”)

Saturday, November 12th

passings

Leonard Cohen, songwriter, singer, poet, novelist, Zen Buddhist monk
September 21, 1934-November 7, 2016

With Sonny Rollins (tenor saxophone), “Who By Fire,” 1989


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“Closing Time,” 1992


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“Everybody Knows,” 2014


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“You Want It Darker,” 2016


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lagniappe

random sights

yesterday, Oak Park, Ill.

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Friday, November 11th

two takes 

“I Hate to See You Go” (AKA “Hate to See You Go”) (W. Jacobs)

Rolling Stones, Blue & Lonesome, 2016


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Little Walter, 1955

 

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lagniappe

art beat: other day, Art Institute of Chicago

Vasily Kandinsky (1866-1944), Painting with Green Center, 1913

Painting with Green Center

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reading table

BRIDGEPORT, CT—Thinking back on how happy and untroubled he had been during that time and how different he feels in the present day, local man Jason Moulton, 52, reportedly paused Wednesday and nostalgically recalled the simpler era of 20 hours ago. “Everything seemed so much brighter back then before 9 p.m. last night—nothing like the way things are now,” said Moulton, wistfully reflecting on how, back before yesterday evening, things had seemed to make sense and the future appeared to hold endless promise. “America was a different place all those hours ago. Things were safer then, and the economy was strong—it was just a better time. But it’s all gone downhill ever since. We just don’t have the same values anymore.” Moulton then reportedly shook his head and said that while he would love for the country to get back to the good old days of November 8 and earlier, realistically he knew that would never happen.

The Onion, “Man Nostalgic For Simpler Era Of 20 Hours Ago,” 11/9/16

 

Thursday, November 10th

serenade to the President-elect

Public Enemy, “Ball of Confusion”/”Arizona”/”Fight the Power,” live, Australia (Sydney), 2008


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lagniappe

art beat: early September, Whitney Museum of American Art (New York)

Danny Lyon (1942-), Arrest of Taylor Washington, Atlanta, 1963

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Wednesday, November 9th

more

Toru Takemitsu (1930-1996), Rain Tree Sketch II (1992); Hélène Grimaud (piano), live, Water, 2016


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lagniappe

art beat: other day, Art Institute of Chicago

Vasily Kandinsky (1866-1944), Landscape with Two Poplars, 1912

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Tuesday, November 8th

like nobody else

Bob Dorough (1923-), “Devil May Care” (B. Dorough), live (studio performance), Newark, N.J., 2015


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lagniappe

random sights

yesterday, Oak Park, Ill.

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baseball: Chicago Cubs

Whether staring and suffering, or grinning and hugging and high-fiving, fans become generic in every World Series. But I remember Cubs fans differently from my sporadic visits to the sunlit Confines in those lean years. They loved their Cubs and yearned for better times, but cheered without irony for every good or great play by the visiting team. It was the game they loved above all.

We will see these youthful champions in the post-season for years to come, I believe. Their infield has a combined age of ninety-six—my own age, as it happens—as good a young bunch as I can recall. Bryant, the third baseman and coming National League M.V.P., goes six feet five and bats from a spread-legged crouch that expands magically into a sudden tall tree with the skyward bat at its top. He’s also swift. That sprint of his around the bases from first reminded you of a clip from the Olympics. The shortstop, Addison Russell, who is twenty-two, batted in six runs in Game 6. Báez, at second, patrols his environs with a feline muscularity. Twenty-seven-year-old Anthony Rizzo, the first baseman, bats left, and may prove to be the best of the quartet—with any luck, a future Hall of Famer whose best years await us.

—Roger Angell, New Yorker, 11/3/16

Monday, November 7th

Why not begin the week with something beautiful?

Toru Takemitsu (1930-1996), Rain Tree Sketch (1982); Peter Serkin (piano), live, Tokyo, 2003


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lagniappe

random sights

yesterday, Glencoe, Ill. (Chicago Botanic Garden)

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random thoughts

Time change—all the pleasures of jet lag without ever leaving home.

Sunday, November 6th

Marion Williams (1927-1994), “I’m Going to Live the Life I Sing About in My Song” (T.A. Dorsey), live, France, 1969


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lagniappe

musical thoughts

Is any art more intimate?

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random sights

yesterday, Oak Park, Ill.

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Saturday, November 5th

This I could listen to all day.

Toru Takemitsu (1930-1996), Rain Tree (1981); Bard Percussion (Amy Garapic, vibraphone; Petra Elek, marimba; Zihan Yi, marimba), live, Annandale-on-Hudson (Bard College), New York, 2012


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lagniappe

random sights

yesterday, Chicago (Columbus Park)

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*****

reading table

We see with memory. My memory is different from yours, so if we’re both standing in the same place we’re not quite seeing the same thing. Different individuals have different memories, therefore other elements are playing a part. Whether you have been in a place before will affect you, and how well you know it. There’s no objective vision ever—ever.

—David Hockney (1937-), A Bigger Message: Conversations with David Hockney (Martin Grayford)