Soundtrack for a man in a box trying to escape.
Ab Baars (tenor saxophone), “Asor,” live, Amsterdam, 2014
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lagniappe
reading table
I thought that you were an anchor in the drift of the world;
but no: there isn’t an anchor anywhere.
There isn’t an anchor in the drift of the world. Oh no.
I thought you were. Oh no. The drift of the world.—William Bronk (1918-1999, MCOTD Hall of Fame), “The World”
sounds of Flint*
Tunde Olaniran, “Namesake,” 2016
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lagniappe
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viewing fireflies
he takes a tumble . . .
There’s one!—Kobayashi Issa (1763-1827), translated from Japanese by David G. Lanoue
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*Michigan.
what’s new
Tank and the Bangas, live (“Boxes and Squares,” “Quick,” “Rollercoasters”), Washington, D.C., 3/6/17
passings
Chuck Berry, October 18, 1926-March 18, 2017, guitar player, singer, songwriter
“Roll Over Beethoven” (C. Berry), live (TV show), France, 1958
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the beat goes on
2,600 posts—and counting.
Steve Reich (1936-), Mallet Quartet (2009), So Percussion
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At worst, one is in motion; and at best,
Reaching no absolute, in which to rest,
One is always nearer by not keeping still.—Thom Gunn (1929-2004), “On the Move” (fragment)
sounds of Mali
Salif Keita, live, London, c. 2002
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What one seems to want in art, in experiencing it, is the same thing that is necessary for its creation, a self-forgetful, perfectly useless concentration.
—Elizabeth Bishop (1911-1979), letter
more
Wolfgang Amadeus Mozart (1756-1791), Piano Concerto No. 26 in D major (“Coronation”); Munich Philharmonic Orchestra with Friedrich Gulda (conducting, piano), live, 1986
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lagniappe
reading table
How I wish I’d been a painter . . . that must really be the best profession—none of this fiddling around with words—there are a couple of Daumiers at the Phillips that make me feel my whole life has been wasted.
—Elizabeth Bishop (1911-1979), letter, 1977