Monday, December 11th
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Nikhil Banerjee (1931-1986), sitar (with Zakir Hussain [1951-; tabla], et al.), Raag Shyam Kedar, Raag Pilu, live, San Francisco, 1985
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Nikhil Banerjee (1931-1986), sitar (with Zakir Hussain [1951-; tabla], et al.), Raag Shyam Kedar, Raag Pilu, live, San Francisco, 1985
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The Pure Heart Travelers, “I Like to Talk About Jesus,” live, Detroit, 7/12/17
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lagniappe
reading table: variations on a theme
History is approaching a speechless end,
As Henry Adams said. Adams was right.—John Berryman (1914-1972, MCOTD Hall of Fame), “The Moon and the Night and the Men,” excerpt
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Never has human extinction seemed so richly merited . . .
—A.O. Scott, New York Times, 12/10/17
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Moses Sumney, live, Washington, D.C., 11/29/17
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lagniappe
reading table
Nature is a Haunted House – but Art – a House that tries to be haunted.
—Emily Dickinson (1830-1886), letter (459A, Thomas H. Johnson, ed.)
never enough
Johann Sebastian Bach (1685-1750), Partita No. 2 for Solo Violin in D minor, excerpt (Sarabande); Hilary Hahn, violin
Think you’ve heard it all?
How about a septet with six string players and a drummer?
Tomeka Reid Septet,* “Tokens” (T. Reid), New York, 2017
*TR, cello, composition; Christopher Hoffman, cello; Mazz Swift, violin; Sarah Bernstein, violin; Jason Kao Hwang, viola; Adam Hopkins, bass; Tomas Fujiwara, drums, percussion.
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Miles Davis (with John Scofield, guitar; Darryl Jones, bass, et al.), live, Montreal, 1985
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lagniappe
reading table
“Living here is like a joke without a punch line.”
—Bulgarian bar owner, quoted in New York Times Book Review, 12/3/17, review of Border: Journey to the Edge of Europe
two takes
“Feeling Good” (A. Newley, L. Bricusse)
Lauryn Hill (feat. Kamasi Washington, tenor saxophone), live, Italy (Lucca), 2017
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Nina Simone (1933-2003), 1965
what’s new
Moses Sumney, live, Paris, 11/2/17