music clip of the day

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Tag: music clip of the day

Thursday, March 14th

sounds of New York

Tim Berne (alto saxophone, composition) with Herb Robertson (trumpet), Marc Ducret (guitar), Joey Baron (drums), et al., live, New York (TV show), c. 1990

 

Wednesday, March 13th

sounds of England

Four Tet (AKA Kieran Hebden), BBC Radio 1 Essential Mix, 3/17/18

 

*****

reading table

there’s no shame
that you totter . . .
old chrysanthemum

—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)

Tuesday, March 12th

basement jukebox

Jackie (AKA Jacqui) Verdell (1937-1991), “Why Not Give Me a Chance” (J. Verdell), 1962

 

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musical thoughts

I also considered Jackie Verdell of the Davis Sisters one of the best and most underrated female soul singers of all time.

—Aretha Franklin (1942-2018), Aretha: From These Roots, 1999

Monday, March 11th

voices I miss

Hound Dog Taylor (AKA Theodore Roosevelt Taylor, 1915-1975) and the Houserockers (Brewer Phillips, guitar; Ted Harvey, drums), “Taylor’s Rock” (H.D. Taylor), live, Ann Arbor Blues Festival, 1973

 

*****

reading table

voices in the wind
the withered field’s
crows

—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)

Sunday, March 10th

sounds of Chicago

Jackie (AKA Jacqui) Verdell (1937-1991), “Too Close to Heaven” (following remarks by Jesse Jackson), live, Chicago, 1972

 

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lagniappe

random sights

other day, Chicago (Columbus Park)

*****

reading table

frosty night—
seven poor men
in a huddle

—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)

Saturday, March 9th

more

Tim Hecker, “That World,” 2019

 

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lagniappe

random sights

yesterday, Chicago (Columbus Park)

Friday, March 8th

like nobody else

Antony (AKA Anohni) with Lou Reed, et al., “Candy Says” (L. Reed), live, New York, 2006

 

*****

Here’s the original track (The Velvet Underground, 1969).

 

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lagniappe

random sights

this morning, Chicago (Columbus Park)

Thursday, March 7th

more

Laurie Anderson, “My Right Eye” (L. Anderson), Homeland, 2010

 

Tuesday, March 5th

more

Laurie Anderson (with Bill Laswell [bass], Colin Stetson [bass saxophone], et al.), “Only An Expert” (L. Anderson), live (TV show), 2010

 

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lagniappe

reading table

A career in vestige management.

A dream job
back-engineering
shifts in salience.

I’m so far
behind the curve
on this.

So. Cal.
must connect with
so-called

to manufacture
the present.

Ubiquity’s
the new in-joke

bar-code hard-on,

a catch-phrase
in every segment.

—Rae Armantrout (1947-), from “Manufacturing”

Monday, March 4th

No one fired up this pianist—one of the most influential in the history of jazz—like this drummer.

Bill Evans Trio (BE [1929-1980], piano; Philly Joe Jones [1923-1985], drums; Marc Johnson [1953-], bass), “Nardis” (M. Davis), live, Italy (Umbria), 1978

 

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lagniappe

reading table

How many poems have gotten so much attention with so few words?

so much depends
upon

a red wheel
barrow

glazed with rain
water

beside the white
chickens

—William Carlos Williams (1883-1963), “The Red Wheelbarrow”