more
Laurie Anderson, “My Right Eye” (L. Anderson), Homeland, 2010
more
Laurie Anderson (with Bill Laswell [bass], Colin Stetson [bass saxophone], et al.), “Only An Expert” (L. Anderson), live (TV show), 2010
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lagniappe
reading table
A career in vestige management.
A dream job
back-engineering
shifts in salience.I’m so far
behind the curve
on this.So. Cal.
must connect with
so-calledto manufacture
the present.Ubiquity’s
the new in-jokebar-code hard-on,
a catch-phrase
in every segment.—Rae Armantrout (1947-), from “Manufacturing”
No one fired up this pianist—one of the most influential in the history of jazz—like this drummer.
Bill Evans Trio (BE [1929-1980], piano; Philly Joe Jones [1923-1985], drums; Marc Johnson [1953-], bass), “Nardis” (M. Davis), live, Italy (Umbria), 1978
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lagniappe
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How many poems have gotten so much attention with so few words?
so much depends
upona red wheel
barrowglazed with rain
waterbeside the white
chickens—William Carlos Williams (1883-1963), “The Red Wheelbarrow”
This I could listen to all day.
Georgia Louis, “Canaan Land,” live (TV show), New York, 1960s
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lagniappe
found words
Yesterday, on the radio, a man held in solitary confinement in Louisiana’s Angola Prison for over forty years:
You feel like the atmosphere is closing in on you. You feel like the very skin on your body is compressing.
—Albert Woodfox, author of Solitary (out March 5th)
like nobody else
Laurie Anderson, “Language of the Future,” Dublin, 2017
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lagniappe
random thoughts
Each day we go somewhere we’ve never been before.
what’s new
The Pedrito Martinez Group (PM, percussion, lead vocals; Sebastian Natal, electric bass, vocals; Jhair Sala, percussion, vocals; Issac Delgado Jr., keyboards, vocals), “Tuvé Una Revelación,” live, Washington, D.C., 2/20/19
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lagniappe
random sights
Oak Park, Ill, this morning
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random thoughts
March!
sounds of New York
Louie Vega (DJ), live, New York, 12/18/18
basement jukebox
Johnny Burnette Trio, “The Train Kept A-Rollin,'” 1956
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distant sight—
in withered fields
a little house’s lamp—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)
what’s new
More from this new album.
Joe Lovano (tenor saxophone, percussion), “One Time In,” published 2/11/19 (Trio Tapestry with Marilyn Crispell [piano], Carmen Castaldi [drums], 2019)
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lagniappe
reading table
Emily Dickinson, writing to her cousins (Louise and Frances Norcross) after the death of their father, closes with this (letter #278, poem #528 [Franklin], 1863):
Let Emily sing for you because she cannot pray.
‘Tis not that Dying hurts us so –
‘Tis Living – hurts us more –
But Dying – is a different way –
A kind behind the Door –The Southern Custom – of the Bird –
That ere the Frosts are due –
Accepts a better Latitude –
We – are the Birds – that stay.The Shiverers round Farmer’s doors –
For whose reluctant Crumb –
We stipulate – till pitying Snows
Persuade our Feathers Home