music clip of the day

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Tag: music clip of the day

Friday, March 8th

like nobody else

Antony (AKA Anohni) with Lou Reed, et al., “Candy Says” (L. Reed), live, New York, 2006

 

*****

Here’s the original track (The Velvet Underground, 1969).

 

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lagniappe

random sights

this morning, Chicago (Columbus Park)

Thursday, March 7th

more

Laurie Anderson, “My Right Eye” (L. Anderson), Homeland, 2010

 

Tuesday, March 5th

more

Laurie Anderson (with Bill Laswell [bass], Colin Stetson [bass saxophone], et al.), “Only An Expert” (L. Anderson), live (TV show), 2010

 

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lagniappe

reading table

A career in vestige management.

A dream job
back-engineering
shifts in salience.

I’m so far
behind the curve
on this.

So. Cal.
must connect with
so-called

to manufacture
the present.

Ubiquity’s
the new in-joke

bar-code hard-on,

a catch-phrase
in every segment.

—Rae Armantrout (1947-), from “Manufacturing”

Monday, March 4th

No one fired up this pianist—one of the most influential in the history of jazz—like this drummer.

Bill Evans Trio (BE [1929-1980], piano; Philly Joe Jones [1923-1985], drums; Marc Johnson [1953-], bass), “Nardis” (M. Davis), live, Italy (Umbria), 1978

 

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lagniappe

reading table

How many poems have gotten so much attention with so few words?

so much depends
upon

a red wheel
barrow

glazed with rain
water

beside the white
chickens

—William Carlos Williams (1883-1963), “The Red Wheelbarrow”

Sunday, March 3rd

This I could listen to all day.

Georgia Louis, “Canaan Land,” live (TV show), New York, 1960s

 

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lagniappe

found words

Yesterday, on the radio, a man held in solitary confinement in Louisiana’s Angola Prison for over forty years:

You feel like the atmosphere is closing in on you. You feel like the very skin on your body is compressing.

Albert Woodfox, author of Solitary (out March 5th)

Saturday, March 2nd

like nobody else

Laurie Anderson, “Language of the Future,” Dublin, 2017

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lagniappe

random thoughts

Each day we go somewhere we’ve never been before.

Friday, March 1st

what’s new

The Pedrito Martinez Group (PM, percussion, lead vocals; Sebastian Natal, electric bass, vocals; Jhair Sala,  percussion, vocals; Issac Delgado Jr., keyboards, vocals), “Tuvé Una Revelación,” live, Washington, D.C., 2/20/19

 

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lagniappe

random sights

Oak Park, Ill, this morning

*****

random thoughts

March!

Thursday, February 28th

sounds of New York

Louie Vega (DJ), live, New York, 12/18/18

 

Wednesday, February 27th

basement jukebox

Johnny Burnette Trio, “The Train Kept A-Rollin,'” 1956

 

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lagniappe

reading table

distant sight—
in withered fields
a little house’s lamp

—Kobayashi Issa, 1763-1827 (translated from Japanese by David G. Lanoue)

Tuesday, February 26th

what’s new

More from this new album.

Joe Lovano (tenor saxophone, percussion), “One Time In,” published 2/11/19 (Trio Tapestry with Marilyn Crispell [piano], Carmen Castaldi [drums], 2019)

 

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lagniappe

reading table

Emily Dickinson, writing to her cousins (Louise and Frances Norcross) after the death of their father, closes with this (letter #278, poem #528 [Franklin], 1863):

Let Emily sing for you because she cannot pray.

‘Tis not that Dying hurts us so –
‘Tis Living – hurts us more –
But Dying – is a different way –
A kind behind the Door –

The Southern Custom – of the Bird –
That ere the Frosts are due –
Accepts a better Latitude –
We – are the Birds – that stay.

The Shiverers round Farmer’s doors –
For whose reluctant Crumb –
We stipulate – till pitying Snows
Persuade our Feathers Home