passings
Ellis Marsalis, pianist, composer, educator, father, November 14, 1934-April 1, 2020
Ellis Marsalis (piano), Branford Marsalis (tenor saxophone), Wynton Marsalis (trumpet), Delfeayo Marsalis (trombone), Eric Revis (bass), Jason Marsalis (drums), “Tell Me” (E. Marsalis), live, New Orleans (New Orleans Jazz & Heritage Festival), 2019
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lagniappe
random sights
yesterday morning, Chicago
like nobody else
How about time-traveling to 1961 Paris?
Blossom Dearie (1924-2009, vocals, piano), “C’est le Printemps” (“It Might as Well Be Spring,” R. Rodgers, O. Hammerstein II; adaptation, J. Sablon), “Plus je t’embrasse” (“Heart of My Heart,” B. Ryan; adaptation, Max François), live, Paris, 1961
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lagniappe
art beat: other day, Museum of Modern Art, New York
Isa Genzken (1948-), Rose II (2007)
*****
reading table
The youth walks up to the white horse, to put its halter on
and the horse looks at him in silence.
They are so silent they are in another world.—D. H. Lawrence (1885-1930), “The White Horse”
sounds of New York
Reverend Gary Davis (1896-1972), “Death Don’t Have No Mercy,” live
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lagniappe
random sights
yesterday, Chicago (Columbus Park)
*****
reading table
Clear skies ring with the honk of wild geese
On deserted hills, leaves whirl in the wind
Twilight on a smoky village road
Carrying an empty begging bowl and walking home alone—Ryōkan (1758-1831), translated from classical Chinese by Ryūichi Abé and Peter Haskel
alone
Mat Maneri (1969-, viola), “Nobody Knows the Trouble I’ve Seen” (trad.), live, Paris, 2020
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lagniappe
random sights
yesterday, Oak Park, Ill.
*****
reading table
A leaf, one of the last, parts from a maple branch:
it is spinning in the transparent air of October, falls
on a heap of others, stops, fades. No one
admired its entrancing struggle with the wind,
followed its flight, no one will distinguish it now
as it lies among the other leaves, no one saw what I did. I am
the only one.—Bronisław Maj (1953-), “A Leaf,” translated from Polish by Czesław Miłosz and Robert Hass