music clip of the day

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Tag: music ciip of the day

Wednesday, July 5th

sounds of Jamaica

“Heavy Dub Mix Vol. 1 – Golden Age of Dub, 1975-1982” (Tracklist in YouTube Comments), published 2020

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lagniappe

art beatother day, Art Institute of Chicago (Van Gogh and the Avant-Garde: The Modern Landscape, through 9/4/23)

Vincent van Gogh, 1853-1890, The Bridge at Courbevoie (1887), detail

Tuesday, May 30th

passings

Tina Turner (aka Anna Mae Bullock), singer, November 26, 1939 – May 24, 2023

“A Fool in Love,” live (TV show [Hollywood a Go-Go]), 1965

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“River Deep – Mountain High,” 1966 (original promo, edited)

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Rehearsing with Ikettes in dressing room

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lagniappe

random sights

yesterday, Chicago (Columbus Park)

Monday, May 29th

sounds of Chicago

Otis Spann (1924, or 1930, to 1970; piano, vocals), “Ain’t Nobody’s Business if I Do,” live, 1966

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lagniappe

random sights

yesterday, Oak Park, Ill.

Sunday, May 28th

timeless

Skip James (1902-1969, vocals, guitar), “Jesus Is a Mighty Good Leader,” 1931 (rec. Grafton, Wis.)

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lagniappe

random sights

other day, Oak Park, Ill.

Sunday, April 23rd

basement jukebox

Miss Evelyn Tyler & the Tyler Singers, “He Won’t Forsake His Own” (1965)

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lagniappe

random sights

other day, Chicago

Tuesday, April 18th

passings

Ahmad Jamal, pianist, composer, July 2, 1930-April 18, 2023

With Israel Crosby (1919-1962, bass), Vernel Fournier (1928-2000, drums), live (TV show), 1959

“Darn That Dream” (J. Van Heusen, E. DeLange)

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“Ahmad’s Blues” (A. Jamal)

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From the New York Times obituary (4/16/23):

Bebop pianists, following the lead of Bud Powell, became known for their virtuosic flurries of notes. Mr. Jamal chose a different path, which proved equally influential.

The critic Stanley Crouch wrote that bebop’s founding father, Charlie Parker, was the only musician “more important to the development of fresh form in jazz than Ahmad Jamal.”

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In his early years, Mr. Jamal listened not just to jazz, which he preferred to call “American classical music,” but also to classical music of the non-American variety.

“We didn’t separate the two schools,” he told The New York Times in 2001. “We studied Bach and Ellington, Mozart and Art Tatum. When you start at 3, what you hear you play. I heard all these things.”

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Probably the best-known musician to cite Mr. Jamal as an influence was not a pianist but a trumpeter and bandleader: Miles Davis, who became close friends with Mr. Jamal, recorded his compositions and arrangements and would bring his sidemen to see Mr. Jamal perform. He once said, “All my inspiration comes from Ahmad Jamal.”

Monday, April 3rd

sound . . . by . . . sound . . . by . . .

AMM (Eddie Prévost, percussion; Keith Rowe, electric guitar, electronics; John Tilbury, piano), live, Berlin, 2019

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lagniappe

reading table

The old pond—
a frog jumps in,
sound of water.

—Matsuo Basho (1644-1694; translated from the Japanese by Robert Hass)

Sunday, March 19th

timeless

Sweetest sounds this side of heaven?

Washington Phillips (1880-1954), “Take Your Burden to the Lord and Leave It There,” rec. 1927 (Dallas)

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lagniappe

random sights

other day, Chicago

Monday, March 6th

Today, after more than a decade of near-daily blogging (and tens of thousands of views from people in over 175 countries), I’m adopting a new format. No longer will I be here every day. Instead, I’ll be stopping by now and then, as the spirit moves me. Enjoy!

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Simeon Ten Holt (1923-2012), Canto Ostinato (1976): pianists Elizabeth Bergmann, Marcel Bergmann, Sandra van Veen and Jeroen van Veen, live, Netherlands (Eindhoven), 4/2/2011

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lagniappe

random sights

yesterday, Oak Park, Ill. (Oak Park Conservatory)

Monday, September 26th

passings

Pharoah Sanders, tenor saxophonist, October 13, 1940–September 23, 2022

“Kazuko” (P. Sanders) with Paul Arslanian (harmonium), live, California (Marin Headland), 1982

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“You’ve Got To Have Freedom” (P. Sanders)

Take 1: Live (with William Henderson, piano; James Leary, bass; Kharon Harrison, drums), Los Angeles, 2011

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Take 2: Live (with John Hicks, piano; Walter Booker, bass; Idris Muhammad, drums), Los Angeles, 1981

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“The Creator Has a Master Plan” (P. Sanders, L. Thomas) with Leon Thomas (vocals), et al., 1969