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Tag: Mitsuko Uchida

Saturday, December 26th

alone

Need more air?

Mitsuko Uchida (piano), live, London, 12/16/20: Franz Schubert (1797-1828), Piano Sonatas in C major (“Reliquie,” 3:40-) and G major (“Fantasy,” 42:00-)

 

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lagniappe

random sights

yesterday, Chicago (Columbus Park)

*****

reading table

Listening deeply,
sometimes—in another—you can hear
the sound of a hermit, sighing
as he climbs a mountain trail to reach
a waterfall
or a Buddhist nun reciting prayers
while moonlight falls through the window
onto an old clay floor,
and once in a while, a child
rolling a hoop through the alleyways of Tokyo,
laughing,
or a farmer pausing in a rice field to watch
geese fly,
the thoughts on his lips he doesn’t think to say.

—Dick Allen (1939-2017), “Listening Deeply”

Saturday, May 14th

If I learned I had a week to live, one afternoon, sunlight streaming through the windows, I’d listen to Mozart.

Wolfgang Amadeus Mozart (1756-1791), Adagio in B minor, K. 540
Mitsuko Uchida, live

 

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lagniappe

art beat: other day, Art Institute of Chicago

Vincent van Gogh (1853-1890), Entrance to the Public Gardens at Arles, 1888

vincent-van-gogh-entrance-to-the-public-park-in-arles-art-print-poster

(Taking a break—back in a while.)

Saturday, December 20th

Ever feel you can’t find a foothold?

Arnold Schoenberg (1874-1951), Piano Concerto (1942); Rotterdam Philharmonic Orchestra (Jeffrey Tate, cond.) with Mitsuko Uchida (piano), live

 

 


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lagniappe

reading table

Aspen tree, your leaves glance white into the dark.
My mother’s hair was never white.

Dandelion, so green is the Ukraine.
My yellow-haired mother did not come home.

Rain cloud, above the well do you hover?
My quiet mother weeps for everyone.

Round star, you wind the golden loop.
My mother’s heart was ripped by lead.

Oaken door, who lifted you off your hinges?
My gentle mother cannot return.

—Paul Celan (1920-1970; translated from German by Michael Hamburger)

Saturday, March 30th

The other night, as Mitsuko Uchida was performing two of Mozart’s piano concertos (17, 27) with the Chicago Symphony Orchestra, there were moments so pure, so open, I would have liked nothing more than to disappear into one of the spaces between the notes and stay there.

Wolfgang Amadeus Mozart, Piano Concerto No. 20 in D minor, KV. 466; Mitsuko Uchida (piano and conducting), Camerata Salzburg, live, Germany (Salzburg), 2001

Thursday, 8/9/12

Mozart, Piano Sonata No. 18 in D. major, K. 576 (1789)
Mitsuko Uchida, piano

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lagniappe

musical thoughts

Listening to Mozart is like entering a room where the walls, the ceiling, even the floor are made entirely of glass.

Sunday, 1/29/12

 joy, n. exultation of spirit; gladness, delight. E.g., Calvary Baptist Church in West Philadelphia, with John Legend singing “How I Got Over” (2011).

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lagniappe

listening room: (some of) what’s playing

• Theo Parrish, Sound Sculptures, Vol. 1 (Sound Signature)

• Coldcut, 70 Minutes of Madness (Journeys by DJ)

• O.V. Wright, Wright Stuff (Hi UK)

• Bertha “Chippie” Hill, 1925-1929 (Document)

• Animal Collective, Merriweather Post Pavilion (Domino)

• The Fisk Jubilee Quartet, There Breathes A Hope (Archeophone)

•  This May Be The Last Time Singing: Raw African-American Gospel on 45 RPM 1957-1982 (Tompkins Square)

• Lester Bowie’s Brass Fantasy, I Only Have Eyes For You (ECM)

• Chicago Underground Trio, Slon (Thrill Jockey)

• Charlie Christian, The Genius of the Electric Guitar (Sony)

• The Best of the Nat King Cole Trio: Vocal Classics, 1942-46 (Blue Note)

• Chicago Underground Trio, Slon (Thrill Jockey)

• Miles Davis, Legendary Prestige Quintet Sessions (Prestige)

• Bill Dixon with Exploding Star Orchestra (Thrill Jockey)

• Mahmoud Ahmed, Ethiopiques 19 (Buda Musique)

• Ludwig van Beethoven/Julliard String Quartet, String Quartets Nos. 13 & 16 (Sony)

• Ludwig van Beethoven/Solomon, Piano Concertos Nos. 3 & 5 (EMI)

• Ludwig van Beethoven/Berlin Philharmonic Orchestra, Herbert von Karajan cond., Symphony No. 7 (Deutsche Grammaphon)

• Bela Bartok/Hungarian String Quartet, String Quartets Nos. 1-6 (Deutsche Grammaphon)

• Bela Bartok/Takacs Quartet, String Quartets Nos. 5-6 (Hungaroton)

• Boulez Conducts Boulez (Deutsche Grammaphon)

• Cleveland Orchestra, Pierre Boulez cond./Mitsuko Uchida, Arnold Schoenberg, Anton Webern, Alban Berg (Philips)

• Morton Feldman, For Bunita Marcus, Markus Hinterhauser, piano (Col Legno)

• Morton Feldman, Piano and String Quartet, Aki Takahashi, Kronos Quartet (Nonesuch)

• Hawthorne String Quartet, Pavel Haas (String Quartets Nos. 2 and 3), Hans Krasa (String Quartet) (London)

• Pavel Haas Quartet, Leo Janacek (String Quartet No. 1), Pavel Haas (String Quartets Nos. 1 and 3) (Supraphon)

• Arvo Part, Litany (ECM)

• Arnold Schoenberg/LaSalle Quartet, String Quartets Nos. 3 and 4 (Brilliant Classics)

• Robert Schumann/Zehetmair Quartett, String Quartets Nos. 1 & 3 (ECM)

• Zehetmair Quartet, Bela Bartok (String Quartet No. 5), Paul Hindemith (String Quartet No. 4) (ECM)

• WKCR-FM (broadcasting from Columbia University)

—Bach Festival
Bird Flight (Phil Schaap, jazz [Charlie Parker])
Eastern Standard Time (Carter Van Pelt, Jamaican music)

• WFMU-FM

Mudd Up! (DJ/Rupture“new bass and beats”)
Sinner’s Crossroads 
(Kevin Nutt, gospel)
Give the Drummer Some (Doug Schulkind, sui generis, Web only)
Lamin’s Show (sui generis)

Tuesday, 9/28/10

crystalline, adj. Clear and transparent like crystal. E.g., Mitsuko Uchida playing Mozart.

Mozart, Piano Concerto No. 20 in D minor, KV. 466/Mitsuko Uchida (piano and conducting), Camerata Salzburg, live, Germany (Salzburg), 2001

Part 1 (first movement)

Part 2 (first movement, cont.)

Part 3 (second movement)


Part 4 (third movement)

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lagniappe

I like to make the gestures of the piano concerto, so big and public, much smaller and intimate, as if I were sitting alone or simply dreaming.

—Mitsuko Uchida


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