Blaze Foley (aka Michael David Fuller, 1949-1989), “If I Could Only Fly” (B. Foley), live (Duct Tape Messiah, 2011)
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Another take.
Merle Haggard, live (TV show, performance starts at 1:15), 1986
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What makes this song work? As is often the case, it comes down to small sonic details. Listen, for instance, to the first line of the hook (also the title): “If I could only fly . . .” Repeated f’s (“If,” “fly”), echoing vowels (“I,” “fly”): so much repetition in so few words, yet it sounds so natural. Listen, too, to the small step up, melodically, from the first to the second syllable of “only,” enacting what it would have felt like to fly—”if . . . only.”
Merle Haggard, TV show (music starts at 1:15), 1986
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Blaze Foley (1949-1989)
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What makes this song work? For me two things stand out; both relate to the first line of the hook (“If I could only fly . . .”). One is the sounds of the words: the repeated “f’s,” the long “i” and the “y.” The other is what happens with the melody: the little step up on the second syllable of “only.” To me it suggests, fleetingly, what it might feel like, as imagined by the singer, to take flight—”if only.”
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lagniappe
Here’s one more take—Blaze, boozy, somebody’s backyard, 1985.
Slim and the Victory Aires, “Alright Now,” Paducah, Ky., 2008
(Originally posted 3/11/12)
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Johnny Shines (1915-1992), vocals, guitar; David “Honeyboy” Edwards (1915-2011), guitar; Big Walter Horton (1917-1981), harmonica; “For The Love of Mike,” 1978
(Originally posted 10/4/11.)
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Von Freeman, tenor saxophone; Clifford Jordan, tenor saxophone (first solo); Willie Pickens, piano; Dan Shapera, bass; Robert Shy, drums; “Oleo” (S. Rollins), Chicago (Chicago Jazz Festival), 1988
(Originally posted 5/3/12.)
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lagniappe
radio
All Pops, all day:
Tune in on July 4th, Independence Day . . . as we celebrate the professed (although according to historians, not actual) birthday of Jazz great and American Hero, the trumpeter and vocalist Louis Armstrong, by playing 24 hours straight of his music, from midnight to midnight.