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Tag: Marianne Moore

Monday, April 18th

Feel like floating?

Music for Airports, “1/1” (B. Eno, R. Davies, R. Wyatt), 1978; Bang on a Can All-Stars, live (arr. Michael Gordon), San Diego Airport, 2015


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lagniappe

reading table

To a Snail
By Marianne Moore (1887-1972)

If “compression is the first grace of style,”
you have it. Contractility is a virtue
as modesty is a virtue.
It is not the acquisition of any one thing
that is able to adorn,
or the incidental quality that occurs
as a concomitant of something well said,
that we value in style,
but the principle that is hid:
in the absence of feet, “a method of conclusions”;
“a knowledge of principles,”
in the curious phenomenon of your occipital horn.

Wednesday, April 10th

two takes

Julius Eastman (1940-1990), Evil Nigger (1979)

Julius Eastman, Frank Ferko, Janet Kattas, Patricia Martin, pianos; live, Northwestern University (Evanston, Ill.), 1980 (Unjust Malaise, New World Records, 2005)

http://vimeo.com/58118363


*****

Jace Clayton, electronics; David Friend & Emily Manzo, pianos (The Julius Eastman Memory Depot, New Amsterdam Records, 2013)


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lagniappe

musical thoughts

Today’s composer, because of his problematical historical inheritance, has become totally isolated and self-absorbed. Those composers who have gained some measure of success through isolation and self-absorption will find that outside of the loft door the state of the composer in general and their state in particular is still as ineffectual as ever. The composer must become the total musician, not only a composer. To be only a composer is not enough.

Julius Eastman

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reading table

Ecstasy affords/the occasion and expediency determines the form.

—Marianne Moore (1887-1972), “The Past is the Present”