what’s new
One-word review: Wow!
Fay Victor (vocals), Baba Israel (vocals), Marc Ribot (guitar), Ingrid Laubrock (tenor saxophone), Kris Davis (piano), live (Celebration of the Life of Steve Dalachinsky), New York (Winter Jazz Fest), 1/11/19
**********
lagniappe
random sights
other day, Chicago
*****
reading table
I speak across the vast
Dialogues in which we go
To clench my words against
Time or the lack of time
Hoping that for a moment
They will become for me
A place I can think in
And think anything in,
An aside from the monstrous.***
This is no other place
Than where I am, between
This word and the next.—W. S. Graham (1918-1986), from “The Dark Dialogues”
what’s new
Tom Waits (vocals) and Marc Ribot (guitar), “Bella Ciao (Goodbye Beautiful),” 9/12/18 (Marc Ribot, Songs of Resistance 1942-2018)
wake up!
Marc Ribot’s Ceramic Dog (MR, guitar, vocals; Ches Smith, drums; Shahzad Ismaily, bass), live (studio performance), Seattle, 6/22/16
two takes
“Take Five” (P. Desmond)
Ceramic Dog (Marc Ribot, guitar; Shahzad Ismaily, bass & percussion; Ches Smith, drums), live, Netherlands (Amsterdam), 2013
***
Dave Brubeck Quartet (DB, piano; Paul Desmond, alto saxophone; Eugene Wright, bass; Joe Morello, drums), live, Germany, 1966
**********
lagniappe
art beat: yesterday at the Art Institute of Chicago
Katsushika Hokusai (1760-1849), Bullfinch and Weeping Cherry Tree, 1834
Yeah, I love Mozart and Chopin, but I don’t want to listen to them every day. I don’t want to listen to anything every day. This stuff, to these ears, is utterly exhilarating.
Nels Cline (guitar), Dave Rempis (saxophones), Devin Hoff (bass), Frank Rosaly (drums), live, Chicago (Hideout), 2011
#1
#2
**********
lagniappe
musical thoughts
I discovered that there’s a kind of a hidden connection between R&B and free jazz: the need for that kind of visceral connection with the audience and for something to happen that moves people. I think that beyond R&B, it’s a feature of black music — the moment the solo builds and builds and at a certain point, it hits that cry. Knowing when that needs to happen is something that players from that tradition seem to have.
—guitarist Marc Ribot