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Tag: Malachi Favors

Tuesday, September 11th

voices I miss

The way a bass should sound—fat, dark, bottomless.

Malachi Favors (1927-2004), live, New York, 2001

 

Sunday, September 11th

MCOTD Hall of Fame

Lester Bowie (1941-1999, trumpet) with Amina Claudine Myers (piano, vocals), Arthur Blythe (alto saxophone), Malachi Favors (bass), Phillip Wilson (drums), “God Has Smiled on Me,” 1978


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lagniappe

art beat: other day, Art Institute of Chicago

Edward Hopper (1882-1967), New York Movie, 1939 (America after the Fall, Painting in the 1930s, through 9/18/16)

hop_313

 

Tuesday, January 13th

sounds of Chicago (day one)

Art Ensemble of Chicago (Roscoe Mitchell, reeds; MCOTD Hall-of-Famer Lester Bowie [1941-1999], trumpet; Malachi Favors [1927-2004], bass; Don Moye, drums), live, Hungary (Budapest), 1995

 

Thursday, January 8th

voices I miss

Lester Bowie’s From the Root to the Source (MCOTD Hall-of-Famer Lester Bowie [1941-1999], trumpet; Fontella Bass, vocals, piano; Martha Bass, vocals; Malachi Favors, bass, et al.), live, 1983


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lagniappe

reading table

I walked through the mountains today. The weather was damp, and the entire region was grey. But the road was soft and in places very clean. At first I had my coat on; soon, however, I pulled it off, folded it together, and laid it upon my arm. The walk on the wonderful road gave me more and even more pleasure; first it went up and then descended again. The mountainous world appeared to me like an enormous theatre. The road snuggled up splendidly to the mountainsides. Then I came down into a deep ravine, a river roared at my feet, a train rushed past me with magnificent white smoke. The road went through the ravine like a smooth white stream, and as I walked on, to me it was as if the narrow valley were bending and winding around itself. Grey clouds lay on the mountains as though that were their resting place. I met a young traveller with a rucksack on his back, who asked if I had seen two other young fellows. No, I said. Had I come here from very far? Yes, I said, and went farther on my way. Not a long time, and I saw and heard the two young wanderers pass by with music. A village was especially beautiful with humble dwellings set thickly under the white cliffs. I encountered a few carts, otherwise nothing, and I had seen some children on the highway. We don’t need to see anything out of the ordinary. We already see so much.

—Robert Walser (1878-1956), “A Little Ramble” (translated from German by Tom Whalen)

Thursday, October 30th

No background. No foreground. Three lines, intertwining.

Dewey Redman (1931-2006), tenor saxphone; Malachi Favors (1927-2004), bass; Ed Blackwell (1929-1992), drums; “Paris? Oui!,” 1969

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lagniappe

art beat

Bruce Davidson (1933-), Duffy Circus, Ireland, 1967

B016446

Thursday, June 12th

sounds of Chicago

One-word review: mesmerizing.

Art Ensemble of Chicago, live, France (Chateauvallon), 1970


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lagniappe

reading table

Despite all my inner crumblings,
I’m still able to recognize a perfect day:
sea without shadow,
sky without wrinkles,
air hovering over me like a blessing.

—Nina Cassian (1924-2014), “Summer X-Rays” (fragment)

 

Monday, October 21st

sounds of Chicago

Art Ensemble of Chicago (Roscoe Mitchell, saxophones, percussion; Joseph Jarman, saxophones, percussion, electric guitar; Lester Bowie [MCOTD Hall of Famer], trumpet, percussion; Malachi Favors, bass, percussion; Don Moye, drums, percussion [first clip])

Live, Chicago (Jazz Showcase), 1981


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Recording (“Rock Out”), 1969

Saturday, 12/29/12

passings

Fontella Bass, singer, July 3, 1940-December 26, 2012

“Rescue Me,” TV Show (Shindig), 1965

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“Theme De Yoyo,” with the Art Ensemble of Chicago, 1970

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“God Has Smiled On Me,” with mother Martha Bass, brother David Peaston, Amina Claudine Myers (piano), Malachi Favors (bass), Phillip Wilson (drums), 1980

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“All That You Give,” with The Cinematic Orchestra, 2002

Saturday, 2/18/12

 passings

In?

Out?

No matter—he played it all.

Jodie Christian, February 2, 1932-February 13, 2012, Chicago-based pianist; cofounder, AACM (Association for the Advancement of Creative Musicians)

With Eddie Harris, tenor saxophone (Melvin Jackson, bass; Billy Hart drums), “Listen Here” (with a nod at the end to “Freedom Jazz Dance”), live, Montreux, 6/20/1969

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With Roscoe Mitchell, soprano saxophone (Malachi Favors, bass, et al.), live, Chicago, 1984

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lagniappe

reading table

A dead beetle lies on the path through the field.
Three pairs of legs folded neatly on its belly.
Instead of death’s confusion, tidiness and order.
The horror of this sight is moderate,
its scope is strictly local, from the wheat grass to the mint.
The grief is quarantined.
The sky is blue.

To preserve our peace of mind, animals die
more shallowly: they aren’t deceased, they’re dead.
They leave behind, we’d like to think, less feeling and less world,
departing, we suppose, from a stage less tragic.
Their meek souls never haunt us in the dark,
they know their place,
they show respect.

And so the dead beetle on the path
lies unmourned and shining in the sun.
One glance at it will do for meditation—
clearly nothing much has happened to it.
Important matters are reserved for us,
for our life and our death, a death
that always claims the right of way.

—Wislawa Szymborska, “Seen From Above,” (translated from Polish by Stanislaw Baranczak and Clare Cavanagh)

Sunday, 11/6/11

two takes

“Don’t sit around in a dead church and die!”

Take 1: Brother Anthony Wynn (Oasis Ministries, Riceville, Tennessee)

*****

Take 2: Sensimo

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lagniappe

listening room: (some of) what’s playing

• Theo Parrish, Sound Sculptures, Vol. 1 (Sound Signature)

• Jimmie Dale Gilmore, Come On Back (Rounder)

• Rare & Collectible Fine Wine: 27 Soulful Ultra-Obscurities From the Cellars (WMFU-FM 2011 Premium; Mr. Fine Wine, Downtown Soulville)

• Cooking Cherries (WMFU-FM 2011 Premium; Terre T, The Cherry Blossom Clinic)

• Miles Davis, The Legendary Prestige Quintet Sessions (Prestige)

• Don Pullen Plays Monk (Why Not)

• Lucky 7s, Farragut (Lakefront Digital)

• Julius Hemphill, One Atmosphere (Tzadik)

• Wadada Leo Smith’s Golden Quartet, with WLS, trumpet; Anthony Davis, piano; Malachi Favors, bass; Jack DeJohnette, drums (Tzakik)

• Goodbye, Babylon (Dust-to-Digital)

• Nikhil Banerjee, Raga Purabi Kaylan (Raga)

• Bela Bartok, String Quartets, Keller Quartet (Erato), Hungarian String Quartet (Deutsche Grammaphon), Takacs Quartet (Decca)

• Anton Bruckner, Symphony No. 6, North German Radio Orchestra (Gunter Wand, conductor) (RCA Victor)

• Morton Feldman, For Bunita Marcus, Markus Hinterhauser, piano (Col Legno [import])

• Morton Feldman, Three Voices, Joan La Barbara (New Albion)

• Morton Feldman, Piano and String Quartet, Aki Takahashi, Kronos Quartet (Nonesuch)

• WKCR-FM (broadcasting from Columbia University)

—Jo Jones Centennial Festival
—Thelonious Monk birthday broadcast
Bird Flight (Phil Schaap, jazz [Charlie Parker])
Traditions in Swing (Phil Schaap, jazz)
Eastern Standard Time (Carter Van Pelt, Jamaican music)
Amazing Grace (various, gospel)
Rag Aur Taal (various, Indian)
Jazz Profiles (various, jazz)
Out to Lunch (various, jazz)

• WFMU-FM

Mudd Up! (DJ/Rupture“new bass and beats”)
Sinner’s Crossroads 
(Kevin Nutt, gospel)
Give the Drummer Some (Doug Schulkind, sui generis, Web only)
Daniel Blumin
Cherry Blossom Clinic (Terre T, rock, etc.)
Antique Phonograph Music Program (MAC, “78s and cylinders . . . played on actual period reproducing devices”)
HotRod (“Shamanic vibrational love frequencies for the infinite mind,” Web only)

• WHPK-FM (broadcasting from University of Chicago)

The Blues Excursion (Arkansas Red)