Last night, like many other nights, this kept me company, on repeat, as I slept.
Morton Feldman (1926-1987; MCOTD Hall of Fame), Piano and String Quartet (1985); Kronos Quartet with Aki Takahashi (piano)
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lagniappe
art beat: other day, Art Institute of Chicago
Auguste Rodin (1840-1917), Head of Sorrow, 1882 (Rodin: Sculptor and Storyteller, through March 4th)
Sometimes, in the middle of the night, if sleep leaves and doesn’t return, I’ll put one of these on repeat, softly.
Morton Feldman (1926-1987, MCOTD Hall of Fame), Piano and String Quartet (1985); Aki Takahashi and Kronos Quartet, 1993
***
John Luther Adams (1953-), The Farthest Place (2001), 2002
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lagniappe
random sights
other day, Chicago (Columbus Park)
All that holiday noise—BOOM! BOOM! BOOM!—leave you with a hangover?
Here’s the perfect antidote.
Morton Feldman (1926-1987, MCOTD Hall of Fame), Piano and String Quartet, 1985; Aki Takahashi and Kronos Quartet, 1993
(Taking a break—back in a while.)
sounds of Mali (day two)
Trio Da Kali and Kronos Quartet, “Diaraby,” live, University of Maryland, 2014
This I could listen to forever.
Morton Feldman (1926-1987), Piano and String Quartet (1985)
Aki Takahashi (piano) and Kronos Quartet
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lagniappe
musical thoughts
Earlier in my life there seemed to be unlimited possibilities, but my mind was closed. Now, years later and with an open mind, possibilities no longer interest me. I seem content to be continually rearranging the same furniture in the same room. My concern at times is nothing more than establishing a series of practical conditions that will enable me to work. For years I said if I could only find a comfortable chair I would rival Mozart.
***
If a man teaches composition in a university, how can he not be a composer? He has worked hard, learned his craft. Ergo, he is a composer. A professional. Like a doctor. But there is that doctor who opens you up, does exactly the right thing, closes you up—and you die. He failed to take the chance that might have saved you. Art is a crucial, dangerous operation we perform on ourselves. Unless we take a chance, we die in art.
the first voice Whitney heard
Emily “Cissy” Houston (born Emily Drinkard), singer, 1933-
The Drinkard Singers (Cissy Houston, lead vocals), “Lift Him Up,” live (TV broadcast), c. early 1960s
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lagniappe
Live (TV broadcast), 1970
“Be My Baby” (P. Spector, J. Barry & E. Greenwich)
***
“I Just Don’t Know What To Do With Myself” (B. Bacharach & H. David)
*****
listening room: (some of) what’s playing
• Ambrose Akinmusire, When the Heart Emerges Glistening (Blue Note)
• Johann Sebastian Bach, Suites for Unaccompanied Cello, Pierre Fournier, cello (Archiv Production)
• Johann Sebastian Bach, Well-Tempered Clavier, Glenn Gould, piano (Sony)
• Johann Sebastian Bach, Partitas Nos. 3, 4, 6, Jeremy Denk, piano (Azica)
• Ludwig van Beethoven, Piano Sonatas Nos. 14 (“Moonlight”), 8 (“Pathetique”), 23 (“Appassionata”), Rudolf Serkin, piano (CBS)
• Alfred Cortot, The Master Pianist (EMI)
• Claude Debussy, Pour Le Piano, Etudes Books 1 & 2, Gordon Fergus-Thompson, piano (Musical Heritage Society)
• The Dirtbombs, Ultraglide In Black (In the Red Records)
• Morton Feldman, For Bunita Marcus, John Tilbury, piano (London Hall)
• Morton Feldman, Piano and String Quartet, Aki Takahashi (piano), Kronos Quartet (Nonesuch)
• Mary Halvorson Quintet, Saturn Sings (Firehouse)
• Slim Harpo, The Best of Slim Harpo (Hip-O)
• Paul Hindemith, Benjamin Britten, Krzysztof Penderecki; Kim Kashkashian (viola), Stuttgarter Kammerorchester (Dennis Russell Davies, cond.), Lachrymae (ECM)
• Steve Lehman Octet, Travail, Transformation, and Flow (Pi Recordings)
• Jimmie Lunceford, The Complete Jimmie Lunceford Decca Sessions (Mosaic)
• Guilliaume de Michaut, Motets, The Hilliard Ensemble (ECM)
• Paul Motian Trio (with Joe Lovano, Bill Frisell), Sound of Love (Winter & Winter)
• Mudd Up!, WFMU-FM (DJ/Rupture, “new bass and beats”)
• Pee Wee Russell, Swingin’ with Pee Wee (Prestige)
• Pharoah Sanders, Karma (GRP)
• Pharoah Sanders, Live (Evidence)
• Giacinto Scelsi, Natura Renovatur (ECM)
• Arnold Schoenberg, Piano Works, Peter Serkin, piano (Arcana)
• Sinner’s Crossroads, WFMU-FM (Kevin Nutt, gospel)
• Craig Taborn, Avenging Angel (ECM)
• Toru Takemitsu, Peter Serkin Plays the Music of Toru Takemitsu, Peter Serkin, piano (RCA/BMG)
• Anton Webern, Complete Music for String Quartet, Quartetto Italiano (Philips)
• Anton Webern, Works for String Quartet, Emerson Quartet (Deutsche Grammaphon)
• Wild Flag, Wild Flag (Merge)
Steve Reich, WTC 9/11 (2010), excerpts
Kronos Quartet, with prerecorded tape
1st Movement
Vodpod videos no longer available.***
3rd Movement
Vodpod videos no longer available.**********
lagniappe
reading table
They jumped from the burning floors—
one, two, a few more,
higher, lower.The photograph halted them in life,
and now keeps them
above the earth toward the earth.Each is still complete,
with a particular face
and blood well hidden.There’s enough time
for hair to come loose,
for keys and coins
to fall from pockets.They’re still within the air’s reach,
within the compass of places
that have just now opened.I can do only two things for them—
describe this flight
and not add a last line.—Wislawa Szymborska, “Photograph from September 11” (trans. Clare Cavanagh & Stanislaw Baranczak)
*****
Barbarism is not the prehistory of humanity but the faithful shadow that accompanies its every step.
—Alain Finkielkraut, Le mécontemporain, (epigraph, Clive James, As of This Writing: The Essential Essays, 1968-2002 [2003])
lucid, adj. suffused with light, luminous. E.g., Morton Feldman’s Piano and String Quartet.
Morton Feldman, Piano and String Quartet (1985)
Kronos Quartet with Aki Takahashi (piano)
In a world that keeps getting faster and noisier, Feldman offers a refuge.
Here time slows. Quietly.
