John Zorn (composition, alto saxophone, direction) with Marc Ribot (guitar), Kenny Wollesen (vibraphone), Jamie Saft (keyboards), Trevor Dunn (bass), Cyro Baptista (percussion), Joey Baron (drums): “Karaim,” France (Marciac), 2010
Sylvie Courvoisier Chimeara (SC, piano, compositions; Nate Wooley, trumpet; Christian Fennesz, guitar, electronics; Drew Gress, bass; Kenny Wollesen, drums, vibraphone), live (performance begins at 19:00), New York, last night
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lagniappe
reading table
A bird is organized so that it is unnecessary to assume an immeasurable substance inside its body that remains after its death.
—Nachoem M. Wijnberg (1961-), from “Analysis and Organization” (translated from the Dutch by David Colmer)
Bill Frisell (guitar) with Tony Scherr (bass) & Kenny Wollesen (drums)
Live, Rochester (NY), 2007
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The Delfonics, 1968
(First clip originally posted 5/28/10.)
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lagniappe
reading table
And this disease which was Swann’s love had so proliferated, was so closely entangled with all his habits, with all his actions, with his thoughts, his health, his sleep, his life, even with what he wanted after his death, it was now so much a part of him, that it could not have been torn from him without destroying him almost entirely: as they say in surgery, his love was no longer operable.
—Marcel Proust, Swann’s Way (translated from French by Lydia Davis)