serendipity
What a joy, last night, to bump into this.
Perfect? No.
Exhilarating? Yes.
Johann Sebastian Bach (1685-1750), Suite No. 5 in C minor for Unaccompanied Cello: Isabelle Nichols (cello), live, Houston (Rice University), 2022
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lagniappe
random sights
yesterday, Oak Park, Ill.
like nobody else
Glenn Gould (1932-1982, piano), live (studio [CBC broadcast]), 1955: Johann Sebastian Bach (1685-1750), Fifteen Three-Part Inventions
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lagniappe
random sights
yesterday, Chicago
never enough
Johann Sebastian Bach (1685-1750), Partita No. 1 in B-flat major: Maria João Pires (piano), live, Portugal (Évora), 1987
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lagniappe
random sights
other day, Oak Park, Ill.
more
Johann Sebastian Bach (1685-1750), The Musical Offering: Le Concert des Nations (Jordi Savall, cond.), published 2018
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lagniappe
reading table
Clarity, clarity, surely clarity is the most beautiful / thing in the world
—George Oppen (1908-1984), from “Route”
never enough
What better way to begin the week?
Johann Sebastian Bach (1685-1750), Fifteen Three-Part Inventions: Boris Giltburg (1984-, piano), 2020
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lagniappe
art beat: yesterday, Smart Museum (University of Chicago)
Lucio Fontana (1899-1968), Concetto Spaziale, Attese (Spatial Concept, Expectations [1960]), detail
never enough
Johann Sebastian Bach (1685-1750), Violin Sonata No. 3 in C major, 3rd Movt. (Largo): Christian Tetzlaff (1966-, violin), Berlin, 2013
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lagniappe
reading table
It’s good now and then
to go out snow-viewing
until I tumble—Matsuo Basho (1644-94), from “The Knapsack Notebook” (translated from the Japanese by Sam Hamill)
never enough
Johann Sebastian Bach (1685-1750), Piano Partita No. 2 in C minor: Martha Argerich (1941-, piano), live, Germany (Görlitz Synagogue, Lausitz Festival), 10/13/20
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lagniappe
radio
Again it comes, one of my favorite musical events of the year: all Bach, all the time, until 11:59 p.m., December 31st—Bachfest 2022, WKCR (Columbia University).
never enough
Johann Sebastian Bach (1685-1750), Goldberg Variations, excerpts; Gideon Van Canneyt (marimba) and Silas Van den Spiegel (marimba), live, Koninklijk Conservatorium (Royal Conservatory of Brussels), Brussels, Belgium, 2020
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lagniappe
random sights
other day, outside Chicago
never enough
Sometimes, as happened yesterday when I stumbled upon this, music increases the amount of available oxygen.
Johann Sebastian Bach (1685-1750), The Well-Tempered Clavier, Book II, excerpt (Prelude and Fugue No. 3 in C-sharp major); Christine Schornsheim (harpsichord), published 10/4/22
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lagniappe
reading table
We are here to listen.
—W. S. Graham (1918-1986), from “The Greenock Dialogues”
never enough
Johann Sebastian Bach (1685-1750), Die Kunst der Fuge (The Art of Fugue); Netherlands Bach Society, published 9/15/22
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lagniappe
random sights
yesterday, Oak Park, Ill.
music clip of the day 