Peter Brötzmann Chicago Tentet,* “Aziz” (M. Zerang), recorded live in Chicago (Empty Bottle), 9/17/97 (Okka Disk OD-12022)
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lagniappe
art beat: yesterday at the Art Institute of Chicago (after meeting with a client at the nearby federal jail)
Utagawe Hiroshige, Suijin Shrine and Massaki on the Sumida River (from the series One Hundred Famous Views of Edo), c. 1856
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reading table
Were I to choose an auspicious image for the new millennium, I would choose . . . the sudden agile leap of the poet-philosopher who raises himself above the weight of the world, showing that with all his gravity he has the secret of lightness, and that what many consider to be the vitality of the times—noisy, aggressive, revving and roaring—belongs to the realm of death, like a cemetery for rusty old cars.
—Italo Calvino, “Lightness,” in Six Memos for the New Millenium (1988, translated from Italian by Patrick Creagh)
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*PB, tenor sax/clarinet/tarogato; Mars Williams, tenor/alto/soprano sax/clarinet; Ken Vandermark, tenor sax/clarinet/bass clarinet; Mats Gustafsson, baritone sax/fluteophone; Joe McPhee, pocket cornet/valve trombone/soprano sax; Jeb Bishop, trombone; Fred Lonberg-Holm, cello; Kent Kessler, bass; Michael Zerang, drums/percussion; Hamid Drake, drums/percussion.
“Until I Die,” Pilgrim Rest Baptist Church, Winston-Salem, N.C., 2001
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lagniappe
reading table
On the Death of Friends in Childhood
We shall not ever meet them bearded in heaven,
Nor sunning themselves among the bald of hell;
If anywhere, in the deserted schoolyard at twilight,
Forming a ring, perhaps, or joining hands
In games whose very names we have forgotten.
Come, memory, let us seek them there in the shadows.
—Donald Justice (Collected Poems, 2004)
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“[We find] it impossible, when we have to analyze death, to imagine it in terms other than those of life.”
—Marcel Proust, The Fugitive (translated from French by Peter Collier)
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listening room: (some of) what’s playing
• The Dirtbombs, Ultraglide In Black (In the Red Records)
• Wild Flag (Merge Records)
• That’s What They Want: The Best of Jerry McCain (Excello)
• The Best of Slim Harpo (Hip-O)
• Ambrose Akinmusire, When the Heart Emerges Glistening (Blue Note)
• Lester Bowie’s Brass Fantasy, I Only Have Eyes For You (ECM)
• Anthony Braxton, 9 Compositions (Iridium)
• Chicago Tentet, American Landscapes 1 & 2 (Okka)
• Steve Lehman Octet, Travail, Transformation, and Flow (Pi Recordings)
• Joe McPhee, Nation Time (Unheard Music Series)
• Weasel Walter, Mary Halvorson, Peter Evans, Electric Fruit (Thirsty Ear)
• J. Berg’s Royal Rarities Vols. 2-3; A Cappella Archives, Vol. 3; Gospel Goldies, Vol. 2 (Rare Gospel)
• The Fisk Jubilee Quartet, There Breathes A Hope (Archeophone)
• This May Be My Last Time Singing: Raw African-American Gospel On 45 RPM 1957-1982 (Tompkins Square)
• Bach, Suites for Unaccompanied Cello, Pierre Fournier, (Archiv Production/DG)
• Mozart, Piano Sonatas Nos. 16 and 17, Peter Serkin, piano (Pro Arte)
• Arnold Schoenberg, Das Klavierwerk, Peter Serkin, piano (Arcana)
• The Art of Joseph Szigeti (Biddulph Recordings)
• Anton Webern, Five Movements For String Quartet, Op. 5; Six Bagatelles For String Quartet, Op. 9; String Quartet, Op. 28; Quartetto Italiano (Philips)
• Anton Webern, Complete Works for String Quartet and String Trio, Artis Quartet Wien (Nimbus)
• Music of Stefan Wolpe, Vol. 6, David Holzman, piano (Bridge)
—Bird Flight (Phil Schaap, jazz [Charlie Parker])
—Traditions in Swing (Phil Schaap, jazz)
—Eastern Standard Time (Carter Van Pelt, Jamaican music)
—Rag Aur Taal (various, Indian)
Some tracks, the first time you hear them (as I did this a couple weeks ago), you wonder how you ever got along without them.
Joe McPhee (tenor saxophone) with Otis Greene (alto saxophone), Mike Kull (electric piano), Herbie Lehman (organ), Dave Jones (guitar), Tyrone Crabb (bass), Bruce Thompson & Ernest Bostic (percussion), “Shakey Jake” (Nation Time, 1970; reissued 2009)
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lagniappe
random thoughts
Remember when there was a whole season—not just a storm or two—called “winter”?
music clip of the day 